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Batman: Year One by [Miller, Frank, Mazzucchelli, David ]
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Batman: Year One Kindle & comiXology

4.6 out of 5 stars 709 customer reviews

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Graphic novels by Mike Mignola
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Product Details

  • File Size: 38591 KB
  • Print Length: 136 pages
  • Publisher: DC Comics; Deluxe ed. edition (November 21, 2011)
  • Publication Date: November 21, 2011
  • Sold by: Amazon Digital Services LLC
  • Language: English
  • ASIN: B0064W65SO
  • Text-to-Speech: Not enabled
  • X-Ray:
  • Word Wise: Not Enabled
  • Lending: Not Enabled
  • Enhanced Typesetting: Not Enabled
  • Amazon Best Sellers Rank: #38,026 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

Top Customer Reviews

Format: Hardcover
Batman is a character I've always enjoyed, but I've only recently started getting into the Batman comics. After reading Frank Miller's exceptional "Batman: The Dark Knight Returns" graphic novel, I really wanted to acquire more Batman comics that depicted the characters in a similar manner: as deep, well-thought-out characters that you really feel emotionally attached to by the end of the story. The problem was that, being new to comics, I was tossed into a sea of nearly endless Batman comics, and I didn't really know where to begin.

Well, where better to start than at the very beginning?

Batman: Year One is the story of Batman's first year in Gotham City after returning from training abroad, making it the perfect book for someone unfamiliar with Batman's origins, or just looking for a fresh take on the classic story. But the book is as much about the origins of Jim Gordon, who will later become the famed police commissioner of Gotham City, as it is about Batman's beginning. The story hinges on Gordon's attempts to clean up a police force that is corrupt to its very core, and his encounters with the Batman that finally lead up to a climactic confrontation that brings both men together in their fight against crime.

Firse of all, the packaging and presentation of the story is top-notch. The book is hard bound and comes with a very nice partial sleeve that makes it look very classy. The cover itself depicts a simple black and white drawing of Batman that is quite effective for portraying what the book is about. Each chapter of the story opens with the origin comic book cover from each issue, and they are very vivid and clean.
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Format: Hardcover
The comics themselves are a 10/10 - just perfect, but the edition is terrible.

Mr. Mazzuchelli himself said (about this "Deluxe" 2012 edition): And now David Mazzucchelli has entered the fray talking about next week’s deluxe edition reprint of Batman: Year One to the Comics Journal;

"DC just sent me this book last week, and I really hope people don’t buy it. I didn’t even know they were making it, and I don’t understand why they thought it was necessary — several years ago, DC asked me if I’d help put together a deluxe edition ofBatman: Year One, and Dale Crain and I worked for months to try to make a definitive version. Now whoever’s in charge has thrown all that work in the garbage. First, they redesigned the cover, and recolored my artwork — probably to look more like their little DVD that came out last year; second, they printed the book on shiny paper, which was never a part of the original design, all the way back to the first hardcover in 1988; third — and worst — they printed the color from corrupted, out-of-focus digital files, completely obscuring all of Richmond’s hand-painted work. Anybody who’s already paid for this should send it back to DC and demand a refund."
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Format: Paperback
It is a shame that, Tim Burton's excellent two outings notwithstanding, the Batman of film and television is the one that is most solidly rooted in the collective psyche of the public. What many current readers may not remember, however, is that the campiness of the 1966-68 TV show was reflected in, and fed off the Batman titles at the time.
All of that changed when Dennis O'Neil took over the writing chores and returned the character to the dark roots laid out by the late, great, Bob Kane and Bill Finger. Dennis O'Neil brought Batman comics into and through puberty. Frank Miller brought them into adulthood.
Along with the brilliant "Dark Knight Returns," "Year One" bookends the saga of Bruce Wayne by re-interpreting and sometimes redefining the character's roots. In so doing, Frank Miller laid the foundation for the character that today populates the monthly titles. Although not as grim as "Dark Knight," "Year One" nonetheless hits closer to home and is, in my opinion, the best introduction to the character for anyone unfamiliar with it outside of film and TV.
The parallel struggles of Bruce Wayne and Jim Gordon to "clean up a city that likes being dirty" are brilliantly rendered by Miller, possibly the finest comics writer EVER. Miller's Jim Gordon is a far cry from the incompetent beat cop shown in movies and TV. He is a passionate, crusading man, the sort of cop Bruce Wayne might have been in another reality.
Opinions have always been strong one way or the other about the art in "Year One." For my money, you couldn't ask for more. Mazzucchelli's pencils work wonders even beyond what he did in "Daredevil: Born Again," and the coloring is particularly striking in its subtlety, even more so when you consider the "beat you over the head" standards of late-'80s comics.
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Format: Paperback
Following up on his 1986 renovation of the Batman myth with "The Dark Knight Returns", Frank Miller teamed with David Mazzucchelli to produce "Batman: Year One", a novel retelling of how Bruce Wayne came to don tights to fight crime.
Miller's Gotham City is a corrupt and festering cesspool, much as he would later depict in his Sin City series. Two good men come to town to clean things up: Bruce Wayne and Jim Gordon, a new detective on the Gotham police force fresh from his role in cleaning up another police department.
Wayne himself has returned to his hometown after a long absence, during which he trained himself to become a vigilante. Wayne's first foray into crimefighting nearly ends in disaster, but leads him ultimately to adopt the Batman motif to frighten criminals. Gordon becomes his unlikely ally as he strives to clean up Gotham's police department.
The writing remains more mature and gritty than the typical comic book fare of the time. Batman is not the invincible denizen of the dark we've come to know and love, but an awkward guy in a goofy costume who seems always to be within an inch of death. Gordon is no paragon of virtue either; the main subplot deals with his affair with another cop while his wife waits to give birth to his son.
The result is a gripping, gritty, and ultimately redeeming tale which once again reinvents the familiar figure of the Batman.
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