'One can see by his face that he was stabbed in the back' said Poirot.
But the strangest feature of the case was where they found the body - in an open grave!
Hercule Poirot had answered an appeal for help - but he was too late!
MURDER - bizarre and baffling - had come to the Villa Genevieve...
Voted by the British Crime Writers’ Association as the "Best Crime Novel of all Time"
Hercule Poirot comes out of retirement in one of Agatha Christie’s ten favorite novels, The Murder of Rojer Ackroyd.
Roger Ackroyd knew too much. He knew that the woman he loved had poisoned her brutal first husband. He suspected also that someone had been blackmailing her. Then, tragically, came the news that she had taken her own life with an apparent drug overdose.
However the evening post brought Roger one last fatal scrap of information, but before he could finish reading the letter, he was stabbed to death. Luckily one of Roger’s friends and the newest resident to retire to this normally quiet village takes over—none other than Monsieur Hercule Poirot.
Famed private eye Hercule Poirot tackles international intrigue and espionage in this classic Agatha Christie mystery.
Framed in the doorway of Hercule Poirot's bedroom stands an uninvited guest, coated from head to foot in dust. The man stares for a moment, then he sways and falls. Who is he? Is he suffering from shock or just exhaustion? Above all, what is the significance of the figure 4, scribbled over and over again on a sheet of paper?
Poirot finds himself plunged into a world of international intrigue, risking his life—and that of his "twin brother"—to uncover the truth.
Robbery and brutal murder aboard a luxury transport ensnares the ever-attentive Hercule Poirot in The Mystery of the Blue Train, from Queen of Mystery Agatha Christie
When the luxurious Blue Train arrives at Nice, a guard attempts to wake serene Ruth Kettering from her slumbers. But she will never wake again—for a heavy blow has killed her, disfiguring her features almost beyond recognition. What is more, her precious rubies are missing.
The prime suspect is Ruth’s estranged husband, Derek. Yet Hercule Poirot is not convinced, so he stages an eerie reenactment of the journey, complete with the murderer on board. . . .
In the Agatha Christie classic Peril at End House, a young woman who has recently survived a series of very close calls appears to be the target of a dedicated killer—and it’s up to Hercule Poirot to save her life.
On holiday on the Cornish Riviera, Hercule Poirot is alarmed to hear pretty Nick Buckley describe her recent “accidental brushes with death.” First, on a treacherous Cornish hillside, the brakes on her car failed. Then, on a coastal path, a falling boulder missed her by inches. Later, an oil painting fell and almost crushed her in bed.
So when Poirot finds a bullet hole in Nick’s sun hat, he decides that this girl needs his help. Can he find the would-be killer before he hits his target?
When Lord Edgware Dies a most unnatural death, detective Hercule Poirot must solve a most confounding conundrum: if the obvious killer, the slain peer’s spiteful wife, didn’t do it, who did? A classic from the queen of mystery, Agatha Christie.
When Lord Edgware is found murdered the police are baffled. His estranged actress wife was seen visiting him just before his death and Hercule Poirot himself heard her brag of her plan to “get rid” of him.
But how could she have stabbed Lord Edgware in his library at exactly the same time she was seen dining with friends? It’s a case that almost proves to be too much for the great Poirot.
THE MOST WIDELY READ MYSTERY OF ALL TIME—NOW A MAJOR MOTION PICTURE DIRECTED BY KENNETH BRANAGH AND PRODUCED BY RIDLEY SCOTT!
“The murderer is with us—on the train now . . .”
Just after midnight, the famous Orient Express is stopped in its tracks by a snowdrift. By morning, the millionaire Samuel Edward Ratchett lies dead in his compartment, stabbed a dozen times, his door locked from the inside. Without a shred of doubt, one of his fellow passengers is the murderer.
Isolated by the storm, detective Hercule Poirot must find the killer among a dozen of the dead man's enemies, before the murderer decides to strike again.
“What more . . . can a mystery addict desire?”—New York Times
In Agatha Christie’s classic, Three Act Tragedy, the normally unflappable Hercule Poirot faces his most baffling investigation: the seemingly motiveless murder of the thirteenth guest at dinner party, who choked to death on a cocktail containing not a trace of poison.
Sir Charles Cartwright should have known better than to allow thirteen guests to sit down for dinner. For at the end of the evening one of them is dead—choked by a cocktail that contained no trace of poison.
Predictable, says Hercule Poirot, the great detective. But entirely unpredictable is that he can find absolutely no motive for murder.…
Hercule Poirot must solve a perplexing case of midair murder in Death in the Clouds when he discovers that the woman in seat two of the airborne aeroplane he’s traveling on is quite unexpectedly—and unnaturally—deceased.
From seat No. 9, Hercule Poirot was ideally placed to observe his fellow air passengers on the short flight from Paris to London. Over to his right sat a pretty young woman, clearly infatuated with the man opposite; ahead, in seat No. 13, sat a countess with a poorly concealed cocaine habit; across the gangway in seat No. 8, a writer of detective fiction was being troubled by an aggressive wasp.
Yes, Poirot is almost ideally placed to take it all in, except what he did not yet realize was that behind him, in seat No. 2, sat the slumped, lifeless body of a woman. Murdered, and likely by someone in Poirot’s immediate proximity.