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Phantom of the Opera (1989) [Blu-ray]

4.6 4.6 out of 5 stars 643 ratings
IMDb5.5/10.0
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February 17, 2015
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Genre Horror
Format Color, Blu-ray, NTSC
Contributor Stephanie Lawrence, Alex Hyde-White, Harry Alan Towers, Jill Schoelen, Duke Sandefur, Bill Nighy, Robert Englund, Dwight H. Little See more
Language English
Runtime 1 hour and 33 minutes

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Product Description

Robert Englund (A Nightmare on Elm Street, Galaxy of Terror, Freddy vs. Jason) assumes the classic role of The Phantom in this shocking, nerve-jangling retelling of Gaston Leroux's timeless tale of music, madness and murder! An aspiring opera singer finds herself transported back to Victorian-era London—and into the arms of a reclusive, disfigured maestro determined to make her a star. The silver-throated Christine (Jill Schoelen, The Stepfather) enjoys success through the arrangements of her new lover (Englund)…until she realizes that he has been committing unspeakably grisly murders in her honor and won't stop until he's completed his masterpiece…in blood!

Product details

  • Aspect Ratio ‏ : ‎ 1.85:1
  • MPAA rating ‏ : ‎ R (Restricted)
  • Product Dimensions ‏ : ‎ 0.7 x 7.5 x 5.4 inches; 2.08 Ounces
  • Item model number ‏ : ‎ SFY15579BR
  • Director ‏ : ‎ Dwight H. Little
  • Media Format ‏ : ‎ Color, Blu-ray, NTSC
  • Run time ‏ : ‎ 1 hour and 33 minutes
  • Release date ‏ : ‎ February 17, 2015
  • Actors ‏ : ‎ Jill Schoelen, Alex Hyde-White, Bill Nighy, Stephanie Lawrence, Robert Englund
  • Subtitles: ‏ : ‎ English
  • Producers ‏ : ‎ Harry Alan Towers
  • Studio ‏ : ‎ SHOUT! FACTORY
  • ASIN ‏ : ‎ B00OCFHHHS
  • Writers ‏ : ‎ Duke Sandefur
  • Country of Origin ‏ : ‎ USA
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.6 4.6 out of 5 stars 643 ratings

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Customer reviews

4.6 out of 5 stars
4.6 out of 5
643 global ratings

Top reviews from the United States

Reviewed in the United States on September 22, 2023
Reviewed in the United States on February 23, 2020
One person found this helpful
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Reviewed in the United States on June 11, 2019
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4.0 out of 5 stars Robert Englund’s gory reimagining of the fictitious classic composer.
Reviewed in the United States on June 11, 2019
If someone used a more serious Freddy Krueger to ambitiously reimagine the classic… and it’s actually pretty decent.

Far before her Saturday Night Live days and in her first role ever we find Molly Shannon (Lawnmower Man II, Scary Movie 4), who discovers a time-forgotten page of music composed by the serial killer Erik Destler in a book that looks like a cross between the Necronomicon and Hellraiser’s (1987) puzzle box. And just in case the book’s appearance wasn’t warning enough, visions of musical notes on the pages seeping blood foretell misfortune.

A lovely young Julliard singer Christine (Jill Schoelen; Curse II: The Bite, The Stepfather) sings the piece and is transported through time to London (in a similar past life), where she finds herself the fixation of The Phantom (Robert Englund; A Nightmare on Elm Street, Galaxy of Terror, Hatchet II). The Phantom is a horribly disfigured composer introduced to us as he sutures flaps of flesh over his own gaping facial wounds. It’s pretty awesomely gross.
At this point with five NOES films under his belt as Freddy, Englund breathes strong personality into The Phantom, and the make-up department followed suit accordingly. So it comes as no surprise that his reverence for his murders and impassioned charismatic flair smack of familiarity.

The latex and gore work are effective. Skinned victims, rat-eaten flesh-gnawed faces and severed heads are just the basics. But what’ll make you wince is the flesh-suturing and slimy gooey suture removal scenes with sticky skin flaps being peeled off.

Fresh on the set of his second horror film, director Dwight H. Little (Halloween 4) swings for the fences in this semi-contemporary approach to The Phantom of the Opera. Englund is hammed up to fans’ satisfaction and expectations, the special effects are splendid (budget permitting), and with all the operatic music, do I call some scenes in this a pseudo-musical? The music takes no part in the narrative, but it is (in concept) linked to the story. I’d simply call this a film much more stylistic for its era regarding its inclusion/utility of music. This film also seems especially ambitious with respect to the set design (lots of sewers and caverns, theaters and London streets) and the wardrobe. Also, watch out for Bill Nighy (Underworld, Shaun of the Dead).

This film may have been a tad over-the-top at times, but less so than Freddy’s sequels and impressive for my honestly low gorehound expectations. No, this is more seriously approached and produced than I had imagined. I’m maybe a bit impressed. I thought I was wandering into hokey B-movie territory, when really this is more in the B+ zone.
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5 people found this helpful
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Reviewed in the United States on May 30, 2023
Reviewed in the United States on October 13, 2018
4 people found this helpful
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Scrooge McDuck
4.0 out of 5 stars A Nightmare at the Theatre
Reviewed in the United Kingdom on May 18, 2019
2 people found this helpful
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MACHETE
5.0 out of 5 stars Phantom Of The Opera
Reviewed in Italy on February 28, 2023
Bob
4.0 out of 5 stars Better than I expected!
Reviewed in the United Kingdom on June 22, 2014
2 people found this helpful
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dave baxter
4.0 out of 5 stars says 18 but mine says 15
Reviewed in the United Kingdom on September 26, 2022
Sarah Jane
4.0 out of 5 stars Robert Englund is amazing in this movie
Reviewed in the United Kingdom on February 16, 2014
3 people found this helpful
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