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Darkly Dreaming Dexter Paperback – September 19, 2006
by
Jeff Lindsay
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Jeff Lindsay
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Book 1 of 8: Dexter
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Print length288 pages
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LanguageEnglish
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Publication dateSeptember 19, 2006
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Dimensions8.03 x 5.23 x 0.66 inches
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ISBN-100307277887
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ISBN-13978-0307277886
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Lexile measure780L
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Editorial Reviews
Review
"A macabre tour-de-force." —The New York Times Book Review“A dark comedy with a creative twist.”—The Miami Herald“Dark and devious. . . . . Daring and unexpectedly comedic.” —USA Today"Maybe the first serial killer who unabashedly solicits our love." —Entertainment Weekly"With chills like these, you can skip the air-conditioning." —Time"One of the most likeable vigilante serial killers in recent thriller literature." —The New Yorker“Demonology has a dastardly new darling.” —The New York Times “Just when you think (hope?) that the tired and rarely credible device of the serial killer next door has hit a wall, along comes a writer like Jeff Lindsay to prove you wrong. . . . So enjoyable.” —Chicago Tribune“Mordantly funny.” —The New York Post“A fresh, inventive slice of crime fiction that turns the axis of good and evil . . . upside down. A psychological thriller in the best sense of the genre.” —The Sun-Sentinel (Fort Lauderdale, FL)“A memorable debut with a hero who really ought to be in a mental institution, but is too much fun to lock up.” —The Rocky Mountain News (Denver, CO)“Dexter’s captivating, first-person account is a genuinely exciting read.” —Time Out (NY)“This ghoulish, fascinating tale . . . will grip readers and make a lasting impression.” —The Philadelphia Inquirer“Entertaining. . . . Dexter is a fascinating character, though he’s not the kind of guy you’d like to invite to dinner.” —Chicago Sun-Times"Fun, terrifically fresh. . . . It's thrilling to watch Dexter struggle between everyday vanilla reality and the compelling, kaleidoscopic thrall of his own bloody fantasies." —Linda Marotta, Fangoria“Totally captivating. . . . Totally original. The characters are beautifully drawn, particularly Dexter, who is tremendously likeable, his hobby not withstanding.” —The St. Petersburg Times (FL)“Lindsay gets high marks for originality, atmosphere, vibrant action scenes and having the brass to write this in the first place.” —Tulsa World“Jeff Lindsay sure does it right with Darkly Dreaming Dexter.” —Cleveland Plain Dealer“Newcomer Jeff Lindsay has created a unique hero. . . . Intriguing.” —Mystery Scene“In creating a singularly unique killer, Lindsay also manages to create a few sleepless nights for the reader.” —Anniston Star (Anniston, AL)
From the Back Cover
Meet Dexter Morgan, a polite wolf in sheep's clothing. He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood splatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened-of himself or some other fiend.
About the Author
Jeff Lindsay is the author of Darkly Dreaming Dexter. He lives in South Florida with his wife and three daughters.
Excerpt. © Reprinted by permission. All rights reserved.
CHAPTER 1
Moon. Glorious moon. Full, fat, reddish moon, the night as light as day, the moonlight flooding down across the land and bringing joy, joy, joy. Bringing too the full-throated call of the tropical night, the soft and wild voice of the wind roaring through the hairs on your arm, the hollow wail of starlight, the teeth-grinding bellow of the moonlight off the water.
All calling to the Need. Oh, the symphonic shriek of the thousand hiding voices, the cry of the Need inside, the entity, the silent watcher, the cold quiet thing, the one that laughs, the Moondancer. The me that was not-me, the thing that mocked and laughed and came calling with its hunger. With the Need. And the Need was very strong now, very careful cold coiled creeping crackly cocked and ready, very strong, very much ready now--and still it waited and watched, and it made me wait and watch.
I had been waiting and watching the priest for five weeks now. The Need had been prickling and teasing and prodding at me to find one, find the next, find this priest. For three weeks I had known he was it, he was next, we belonged to the Dark Passenger, he and I together. And that three weeks I had spent fighting the pressure, the growing Need, rising in me like a great wave that roars up and over the beach and does not recede, only swells more with every tick of the bright night's clock.
But it was careful time, too, time spent making sure. Not making sure of the priest, no, I was long sure of him. Time spent to be certain that it could be done right, made neat, all the corners folded, all squared away. I could not be caught, not now. I had worked too hard, too long, to make this work for me, to protect my happy little life.
And I was having too much fun to stop now.
And so I was always careful. Always tidy. Always prepared ahead of time so it would be right. And when it was right, take extra time to be sure. It was the Harry way, God bless him, that farsighted perfect policeman, my foster father. Always be sure, be careful, be exact, he had said, and for a week now I had been sure that everything was just as Harry-right as it could be. And when I left work this night, I knew this was it. This night was the Night. This night felt different. This night it would happen, had to happen. Just as it had happened before. Just as it would happen again, and again.
And tonight it would happen to the priest.
His name was Father Donovan. He taught music to the children at St. Anthony's Orphanage in Homestead, Florida. The children loved him. And of course he loved the children, oh very much indeed. He had devoted a whole life to them. Learned Creole and Spanish. Learned their music, too. All for the kids. Everything he did, it was all for the kids.
Everything.
I watched him this night as I had watched for so many nights now. Watched as he paused in the orphanage doorway to talk to a young black girl who had followed him out. She was small, no more than eight years old and small for that. He sat on the steps and talked to her for five minutes. She sat, too, and bounced up and down. They laughed. She leaned against him. He touched her hair. A nun came out and stood in the doorway, looking down at them for a moment before she spoke. Then she smiled and held out a hand. The girl bumped her head against the priest. Father Donovan hugged her, stood, and kissed the girl good night. The nun laughed and said something to Father Donovan. He said something back.
And then he started toward his car. Finally: I coiled myself to strike and--
Not yet. A janitorial service minivan stood fifteen feet from the door. As Father Donovan passed it, the side door slid open. A man leaned out, puffing on a cigarette, and greeted the priest, who leaned against the van and talked to the man.
Luck. Luck again. Always luck on these Nights. I had not seen the man, not guessed he was there. But he would have seen me. If not for Luck.
I took a deep breath. Let it out slow and steady, icy cold. It was only one small thing. I had not missed any others. I had done it all right, all the same, all the way it had to be done. It would be right.
Now.
Father Donovan walked toward his car again. He turned once and called something. The janitor waved from the doorway to the orphanage, then stubbed out his cigarette and disappeared inside the building. Gone.
Luck. Luck again.
Father Donovan fumbled for his keys, opened his car door, got into his car. I heard the key go in. Heard the engine turn over. And then--
NOW.
I sat up in his backseat and slipped the noose around his neck. One quick, slippery, pretty twist and the coil of fifty-pound-test fishing line settled tight. He made a small ratchet of panic and that was it.
"You are mine now," I told him, and he froze as neat and perfect as if he had practiced, almost like he heard the other voice, the laughing watcher inside me.
"Do exactly as I say," I said.
He rasped half a breath and glanced into his rearview mirror. My face was there, waiting for him, wrapped in the white silk mask that showed only my eyes.
"Do you understand?" I said. The silk of the mask flowed across my lips as I spoke.
Father Donovan said nothing. Stared at my eyes. I pulled on the noose.
"Do you understand?" I repeated, a little softer.
This time he nodded. He fluttered a hand at the noose, not sure what would happen if he tried to loosen it. His face was turning purple.
I loosened the noose for him. "Be good," I said, "and you will live longer."
He took a deep breath. I could hear the air rip at his throat. He coughed and breathed again. But he sat still and did not try to escape.
This was very good.
We drove. Father Donovan followed my directions, no tricks, no hesitations. We drove south through Florida City and took the Card Sound Road. I could tell that road made him nervous, but he did not object. He did not try to speak to me. He kept both hands on the wheel, pale and knotted tight, so the knuckles stood up. That was very good, too.
We drove south for another five minutes with no sound but the song of the tires and the wind and the great moon above making its mighty music in my veins, and the careful watcher laughing quietly in the rush of the night's hard pulse.
"Turn here," I said at last.
The priest's eyes flew to mine in the mirror. The panic was trying to claw out of his eyes, down his face, into his mouth to speak, but--
"Turn!" I said, and he turned. Slumped like he had been expecting this all along, waiting for it forever, and he turned.
The small dirt road was barely visible. You almost had to know it was there. But I knew. I had been there before. The road ran for two and a half miles, twisting three times, through the saw grass, through the trees, alongside a small canal, deep into the swamp and into a clearing.
Fifty years ago somebody had built a house. Most of it was still there. It was large for what it was. Three rooms, half a roof still left, the place completely abandoned now for many years.
Except the old vegetable garden out in the side yard. There were signs that somebody had been digging there fairly recently.
"Stop the car," I said as the headlights picked up the crumbling house.
Father Donovan lurched to obey. Fear had sealed him into his body now, his limbs and thoughts all rigid.
"Turn off the motor," I told him, and he did.
It was suddenly very quiet.
Some small something chittered in a tree. The wind rattled the grass. And then more quiet, silence so deep it almost drowned out the roar of the night music that pounded away in my secret self.
"Get out," I said.
Father Donovan did not move. His eyes were on the vegetable garden.
A few small mounds of earth were visible there. The heaped soil looked very dark in the moonlight. It must have looked even darker to Father Donovan. And still he did not move.
I yanked hard on the noose, harder than he thought he could live through, harder than he knew could happen to him. His back arched against the seat and the veins stood out on his forehead and he thought he was about to die.
But he was not. Not yet. Not for quite some time, in fact.
I kicked the car door open and pulled him out after me, just to let him feel my strength. He flopped to the sandy roadbed and twisted like an injured snake. The Dark Passenger laughed and loved it and I played the part. I put one boot on Father Donovan's chest and held the noose tight.
"You have to listen and do as I say," I told him. "You have to." I bent and gently loosened the noose. "You should know that. It's important," I said.
And he heard me. His eyes, pounding with blood and pain and leaking tears onto his face, his eyes met mine in a rush of understanding and all the things that had to happen were there for him to see now. And he saw. And he knew how important it was for him to be just right. He began to know.
"Get up now," I said.
Slowly, very slowly, with his eyes always on mine, Father Donovan got up. We stood just like that for a long time, our eyes together, becoming one person with one need, and then he trembled. He raised one hand halfway to his face and dropped it again.
"In the house," I said, so very softly. In the house where everything was ready.
Father Donovan dropped his eyes. He raised them to me but could not look anymore. He turned toward the house but stopped as he saw again the dark dirt mounds of the garden. And he wanted to look at me, but he could not, not after seeing again those black moonlit heaps of earth.
He started for the house and I held his leash. He went obediently, head down, a good and docile victim. Up the five battered steps, across the narrow porch to the front door, pushed shut. Father Donovan stopped. He did not look up. He did not look at me.
"Through the door," I said in my soft command voice.
Father Donovan trembled.
"Go through the door now," I said again.
But he could not.
I leaned past him and pushed the door open. I shoved the priest in with my foot. He stumbled, righted himself, and stood just inside, eyes squeezed tight shut.
I closed the door. I had left a battery lamp standing on the floor beside the door and I turned it on.
"Look," I whispered.
Father Donovan slowly, carefully, opened one eye.
He froze.
Time stopped for Father Donovan.
"No," he said.
"Yes," I said.
"Oh, no," he said.
"Oh, yes," I said.
He screamed, "NOOOO!"
I yanked on the noose. His scream was cut off and he fell to his knees. He made a wet croaky whimpering sound and covered his face. "Yes," I said. "It's a terrible mess, isn't it?"
He used his whole face to close his eyes. He could not look, not now, not like this. I did not blame him, not really, it was a terrible mess. It had bothered me just to know it was there since I had set it up for him. But he had to see it. He had to. Not just for me. Not just for the Dark Passenger. For him. He had to see. And he was not looking.
"Open your eyes, Father Donovan," I said.
"Please," he said in a terrible little whimper. It got on my nerves very badly, shouldn't have, icy-clean control, but it got to me, whining in the face of that mess on the floor, and I kicked his legs out from under him. I hauled hard on the noose and grabbed the back of his neck with my right hand, then slammed his face into the filthy warped floorboards. There was a little blood and that made me madder.
"Open them," I said. "Open your eyes. Open them NOW. Look." I grabbed his hair and pulled his head back. "Do as you're told," I said. "Look. Or I will cut your eyelids right off your face."
I was very convincing. And so he did it. He did as he was told. He looked.
I had worked hard to make it right, but you have to use what you've got to work with. I could not have done it at all if they had not been there long enough for everything to dry up, but they were so very dirty. I had managed to clean off most of the dirt, but some of the bodies had been in the garden a very long time and you couldn't tell where the dirt began and the body stopped. You never could tell, really, when you stop to think about it. So dirty--
There were seven of them, seven small bodies, seven extra-dirty orphan children laid out on rubber shower sheets, which are neater and don't leak. Seven straight lines pointing straight across the room.
Pointing right at Father Donovan. So he knew.
He was about to join them.
"Hail Mary, full of grace--" he started. I jerked hard on the noose.
"None of that, Father. Not now. Now is for real truth."
"Please," he choked.
"Yes, beg me. That's good. Much better." I yanked again. "Do you think that's it, Father? Seven bodies? Did they beg?" He had nothing to say. "Do you think that's all of them, Father? Just seven? Did I get them all?"
"Oh, God," he rasped out, with a pain that was good to hear.
"And what about the other towns, Father? What about Fayetteville? Would you like to talk about Fayetteville?" He just choked out a sob, no words. "And what about East Orange? Was that three? Or did I miss one there? It's so hard to be sure. Was it four in East Orange, Father?"
Father Donovan tried to scream. There was not enough left of his throat for it to be a very good scream, but it had real feeling behind it, which made up for the poor technique. Then he fell forward onto his face and I let him snivel for a while before I pulled him up and onto his feet. He was not steady, and not in control. His bladder had let loose and there was drool on his chin.
"Please," he said. "I couldn't help myself. I just couldn't help myself. Please, you have to understand--"
"I do understand, Father," I said, and there was something in my voice, the Dark Passenger's voice now, and the sound of it froze him. He lifted his head slowly to face me and what he saw in my eyes made him very still. "I understand perfectly," I told him, moving very close to his face. The sweat on his cheeks turned to ice. "You see," I said, "I can't help myself either."
Moon. Glorious moon. Full, fat, reddish moon, the night as light as day, the moonlight flooding down across the land and bringing joy, joy, joy. Bringing too the full-throated call of the tropical night, the soft and wild voice of the wind roaring through the hairs on your arm, the hollow wail of starlight, the teeth-grinding bellow of the moonlight off the water.
All calling to the Need. Oh, the symphonic shriek of the thousand hiding voices, the cry of the Need inside, the entity, the silent watcher, the cold quiet thing, the one that laughs, the Moondancer. The me that was not-me, the thing that mocked and laughed and came calling with its hunger. With the Need. And the Need was very strong now, very careful cold coiled creeping crackly cocked and ready, very strong, very much ready now--and still it waited and watched, and it made me wait and watch.
I had been waiting and watching the priest for five weeks now. The Need had been prickling and teasing and prodding at me to find one, find the next, find this priest. For three weeks I had known he was it, he was next, we belonged to the Dark Passenger, he and I together. And that three weeks I had spent fighting the pressure, the growing Need, rising in me like a great wave that roars up and over the beach and does not recede, only swells more with every tick of the bright night's clock.
But it was careful time, too, time spent making sure. Not making sure of the priest, no, I was long sure of him. Time spent to be certain that it could be done right, made neat, all the corners folded, all squared away. I could not be caught, not now. I had worked too hard, too long, to make this work for me, to protect my happy little life.
And I was having too much fun to stop now.
And so I was always careful. Always tidy. Always prepared ahead of time so it would be right. And when it was right, take extra time to be sure. It was the Harry way, God bless him, that farsighted perfect policeman, my foster father. Always be sure, be careful, be exact, he had said, and for a week now I had been sure that everything was just as Harry-right as it could be. And when I left work this night, I knew this was it. This night was the Night. This night felt different. This night it would happen, had to happen. Just as it had happened before. Just as it would happen again, and again.
And tonight it would happen to the priest.
His name was Father Donovan. He taught music to the children at St. Anthony's Orphanage in Homestead, Florida. The children loved him. And of course he loved the children, oh very much indeed. He had devoted a whole life to them. Learned Creole and Spanish. Learned their music, too. All for the kids. Everything he did, it was all for the kids.
Everything.
I watched him this night as I had watched for so many nights now. Watched as he paused in the orphanage doorway to talk to a young black girl who had followed him out. She was small, no more than eight years old and small for that. He sat on the steps and talked to her for five minutes. She sat, too, and bounced up and down. They laughed. She leaned against him. He touched her hair. A nun came out and stood in the doorway, looking down at them for a moment before she spoke. Then she smiled and held out a hand. The girl bumped her head against the priest. Father Donovan hugged her, stood, and kissed the girl good night. The nun laughed and said something to Father Donovan. He said something back.
And then he started toward his car. Finally: I coiled myself to strike and--
Not yet. A janitorial service minivan stood fifteen feet from the door. As Father Donovan passed it, the side door slid open. A man leaned out, puffing on a cigarette, and greeted the priest, who leaned against the van and talked to the man.
Luck. Luck again. Always luck on these Nights. I had not seen the man, not guessed he was there. But he would have seen me. If not for Luck.
I took a deep breath. Let it out slow and steady, icy cold. It was only one small thing. I had not missed any others. I had done it all right, all the same, all the way it had to be done. It would be right.
Now.
Father Donovan walked toward his car again. He turned once and called something. The janitor waved from the doorway to the orphanage, then stubbed out his cigarette and disappeared inside the building. Gone.
Luck. Luck again.
Father Donovan fumbled for his keys, opened his car door, got into his car. I heard the key go in. Heard the engine turn over. And then--
NOW.
I sat up in his backseat and slipped the noose around his neck. One quick, slippery, pretty twist and the coil of fifty-pound-test fishing line settled tight. He made a small ratchet of panic and that was it.
"You are mine now," I told him, and he froze as neat and perfect as if he had practiced, almost like he heard the other voice, the laughing watcher inside me.
"Do exactly as I say," I said.
He rasped half a breath and glanced into his rearview mirror. My face was there, waiting for him, wrapped in the white silk mask that showed only my eyes.
"Do you understand?" I said. The silk of the mask flowed across my lips as I spoke.
Father Donovan said nothing. Stared at my eyes. I pulled on the noose.
"Do you understand?" I repeated, a little softer.
This time he nodded. He fluttered a hand at the noose, not sure what would happen if he tried to loosen it. His face was turning purple.
I loosened the noose for him. "Be good," I said, "and you will live longer."
He took a deep breath. I could hear the air rip at his throat. He coughed and breathed again. But he sat still and did not try to escape.
This was very good.
We drove. Father Donovan followed my directions, no tricks, no hesitations. We drove south through Florida City and took the Card Sound Road. I could tell that road made him nervous, but he did not object. He did not try to speak to me. He kept both hands on the wheel, pale and knotted tight, so the knuckles stood up. That was very good, too.
We drove south for another five minutes with no sound but the song of the tires and the wind and the great moon above making its mighty music in my veins, and the careful watcher laughing quietly in the rush of the night's hard pulse.
"Turn here," I said at last.
The priest's eyes flew to mine in the mirror. The panic was trying to claw out of his eyes, down his face, into his mouth to speak, but--
"Turn!" I said, and he turned. Slumped like he had been expecting this all along, waiting for it forever, and he turned.
The small dirt road was barely visible. You almost had to know it was there. But I knew. I had been there before. The road ran for two and a half miles, twisting three times, through the saw grass, through the trees, alongside a small canal, deep into the swamp and into a clearing.
Fifty years ago somebody had built a house. Most of it was still there. It was large for what it was. Three rooms, half a roof still left, the place completely abandoned now for many years.
Except the old vegetable garden out in the side yard. There were signs that somebody had been digging there fairly recently.
"Stop the car," I said as the headlights picked up the crumbling house.
Father Donovan lurched to obey. Fear had sealed him into his body now, his limbs and thoughts all rigid.
"Turn off the motor," I told him, and he did.
It was suddenly very quiet.
Some small something chittered in a tree. The wind rattled the grass. And then more quiet, silence so deep it almost drowned out the roar of the night music that pounded away in my secret self.
"Get out," I said.
Father Donovan did not move. His eyes were on the vegetable garden.
A few small mounds of earth were visible there. The heaped soil looked very dark in the moonlight. It must have looked even darker to Father Donovan. And still he did not move.
I yanked hard on the noose, harder than he thought he could live through, harder than he knew could happen to him. His back arched against the seat and the veins stood out on his forehead and he thought he was about to die.
But he was not. Not yet. Not for quite some time, in fact.
I kicked the car door open and pulled him out after me, just to let him feel my strength. He flopped to the sandy roadbed and twisted like an injured snake. The Dark Passenger laughed and loved it and I played the part. I put one boot on Father Donovan's chest and held the noose tight.
"You have to listen and do as I say," I told him. "You have to." I bent and gently loosened the noose. "You should know that. It's important," I said.
And he heard me. His eyes, pounding with blood and pain and leaking tears onto his face, his eyes met mine in a rush of understanding and all the things that had to happen were there for him to see now. And he saw. And he knew how important it was for him to be just right. He began to know.
"Get up now," I said.
Slowly, very slowly, with his eyes always on mine, Father Donovan got up. We stood just like that for a long time, our eyes together, becoming one person with one need, and then he trembled. He raised one hand halfway to his face and dropped it again.
"In the house," I said, so very softly. In the house where everything was ready.
Father Donovan dropped his eyes. He raised them to me but could not look anymore. He turned toward the house but stopped as he saw again the dark dirt mounds of the garden. And he wanted to look at me, but he could not, not after seeing again those black moonlit heaps of earth.
He started for the house and I held his leash. He went obediently, head down, a good and docile victim. Up the five battered steps, across the narrow porch to the front door, pushed shut. Father Donovan stopped. He did not look up. He did not look at me.
"Through the door," I said in my soft command voice.
Father Donovan trembled.
"Go through the door now," I said again.
But he could not.
I leaned past him and pushed the door open. I shoved the priest in with my foot. He stumbled, righted himself, and stood just inside, eyes squeezed tight shut.
I closed the door. I had left a battery lamp standing on the floor beside the door and I turned it on.
"Look," I whispered.
Father Donovan slowly, carefully, opened one eye.
He froze.
Time stopped for Father Donovan.
"No," he said.
"Yes," I said.
"Oh, no," he said.
"Oh, yes," I said.
He screamed, "NOOOO!"
I yanked on the noose. His scream was cut off and he fell to his knees. He made a wet croaky whimpering sound and covered his face. "Yes," I said. "It's a terrible mess, isn't it?"
He used his whole face to close his eyes. He could not look, not now, not like this. I did not blame him, not really, it was a terrible mess. It had bothered me just to know it was there since I had set it up for him. But he had to see it. He had to. Not just for me. Not just for the Dark Passenger. For him. He had to see. And he was not looking.
"Open your eyes, Father Donovan," I said.
"Please," he said in a terrible little whimper. It got on my nerves very badly, shouldn't have, icy-clean control, but it got to me, whining in the face of that mess on the floor, and I kicked his legs out from under him. I hauled hard on the noose and grabbed the back of his neck with my right hand, then slammed his face into the filthy warped floorboards. There was a little blood and that made me madder.
"Open them," I said. "Open your eyes. Open them NOW. Look." I grabbed his hair and pulled his head back. "Do as you're told," I said. "Look. Or I will cut your eyelids right off your face."
I was very convincing. And so he did it. He did as he was told. He looked.
I had worked hard to make it right, but you have to use what you've got to work with. I could not have done it at all if they had not been there long enough for everything to dry up, but they were so very dirty. I had managed to clean off most of the dirt, but some of the bodies had been in the garden a very long time and you couldn't tell where the dirt began and the body stopped. You never could tell, really, when you stop to think about it. So dirty--
There were seven of them, seven small bodies, seven extra-dirty orphan children laid out on rubber shower sheets, which are neater and don't leak. Seven straight lines pointing straight across the room.
Pointing right at Father Donovan. So he knew.
He was about to join them.
"Hail Mary, full of grace--" he started. I jerked hard on the noose.
"None of that, Father. Not now. Now is for real truth."
"Please," he choked.
"Yes, beg me. That's good. Much better." I yanked again. "Do you think that's it, Father? Seven bodies? Did they beg?" He had nothing to say. "Do you think that's all of them, Father? Just seven? Did I get them all?"
"Oh, God," he rasped out, with a pain that was good to hear.
"And what about the other towns, Father? What about Fayetteville? Would you like to talk about Fayetteville?" He just choked out a sob, no words. "And what about East Orange? Was that three? Or did I miss one there? It's so hard to be sure. Was it four in East Orange, Father?"
Father Donovan tried to scream. There was not enough left of his throat for it to be a very good scream, but it had real feeling behind it, which made up for the poor technique. Then he fell forward onto his face and I let him snivel for a while before I pulled him up and onto his feet. He was not steady, and not in control. His bladder had let loose and there was drool on his chin.
"Please," he said. "I couldn't help myself. I just couldn't help myself. Please, you have to understand--"
"I do understand, Father," I said, and there was something in my voice, the Dark Passenger's voice now, and the sound of it froze him. He lifted his head slowly to face me and what he saw in my eyes made him very still. "I understand perfectly," I told him, moving very close to his face. The sweat on his cheeks turned to ice. "You see," I said, "I can't help myself either."
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Product details
- Publisher : Knopf Doubleday Publishing Group (September 19, 2006)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 0307277887
- ISBN-13 : 978-0307277886
- Lexile measure : 780L
- Item Weight : 8.6 ounces
- Dimensions : 8.03 x 5.23 x 0.66 inches
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3.0 out of 5 stars
The show is much better, but it was still fun to revisit my favorite fictional serial killer.
Reviewed in the United States on May 5, 2018Verified Purchase
As with most people here, I was a huge fan of the television series. I’ve had the book on my shelf for years now and finally found the time to blow through this very quick read. Lindsay has a distinct but not entirely original style of writing that truly helps craft Dexter’s voice. Although the literary tools deployed are helpful in developing Dexter’s persona, Lindsay’s choices like the short, basic sentence structure and repetitive alliteration often feels a bit like a middle schooler wrote it. The plot is almost identical to the first season of the show, and I thoroughly enjoyed revisiting the story. It was interesting to see how the show had been adapted from its source material. I look forward to reading the sequel and eventually getting to points in the story that are entirely unique from the show. There are clear choices the actors made that are different from the characters in the story, and it gives them a different personality and makes their actions have different meanings. I’d be interested to see how far apart the on screen versions end up from the on page versions by the end of the series. But for now, I’d just say I’d recommend it if you’re looking for something quick and want to revisit Dexter, but bypass it if you’re looking for something compelling, new, or unique.
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Reviewed in the United States on July 9, 2017
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I bought this book because I am a very big fan of the first four seasons of the TV show. I knew there were some differences so I decided to check it out. I finished this book in a little over twenty four hours. I haven't read a full book in a while (too busy) but I picked this one up and was instantly infatuated with it. This book basically shows the first season of the show. You all remember it. The Ice Truck Killer. The creepy arc that kept you up all night with curiousity. Why was he obsessed with Dexter? Reading this book helped me understand a little bit more. I definitely recommend it. I've already purchased the second one.
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Reviewed in the United States on February 11, 2021
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Meet Dexter Morgan, a polite wolf in sheep's clothing. He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood splatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.
I’ve been wanting to read this series since I discovered the Showtime series and realized these books existed. I’m not sure why but I put it off for a long time; recently, I finally picked it up. While I loved the tv series, I’m not sure I will be continuing the book series. For the most part the book was true to the show (I know I’m saying that backwards but since I watched the show first, that’s my reference point). I still love Dexter as a person and felt the same way about the rest of the characters as I did their television counterparts. Otherwise though, the book was just ok. Perhaps it’s because I already knew what was going to happen. Highly suggest reading the book before watching the show. Giving this one 4 stars because I did like it, even if I found it understandably predictable.
Jeff Lindsay lives in Florida with his wife, author Hilary Hemingway, daughter of Leicester Hemingway, Ernest Hemingway's brother. Lindsay is best known for writing the Dexter series of novels. Several of his earlier published works include his wife as a co-author. Jeff graduated from Middlebury College, Vermont, in 1975, and Celebration Mime Theatre's Clown School the same year. He received a double MFA, in Directing and Playwriting, from Carnegie-Mellon University, and has written 25 produced plays. He has also worked as a musician, singer, comedian, actor, TV host, improv actor, and dishwasher.
I’ve been wanting to read this series since I discovered the Showtime series and realized these books existed. I’m not sure why but I put it off for a long time; recently, I finally picked it up. While I loved the tv series, I’m not sure I will be continuing the book series. For the most part the book was true to the show (I know I’m saying that backwards but since I watched the show first, that’s my reference point). I still love Dexter as a person and felt the same way about the rest of the characters as I did their television counterparts. Otherwise though, the book was just ok. Perhaps it’s because I already knew what was going to happen. Highly suggest reading the book before watching the show. Giving this one 4 stars because I did like it, even if I found it understandably predictable.
Jeff Lindsay lives in Florida with his wife, author Hilary Hemingway, daughter of Leicester Hemingway, Ernest Hemingway's brother. Lindsay is best known for writing the Dexter series of novels. Several of his earlier published works include his wife as a co-author. Jeff graduated from Middlebury College, Vermont, in 1975, and Celebration Mime Theatre's Clown School the same year. He received a double MFA, in Directing and Playwriting, from Carnegie-Mellon University, and has written 25 produced plays. He has also worked as a musician, singer, comedian, actor, TV host, improv actor, and dishwasher.
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Reviewed in the United States on June 6, 2018
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Long time since I read this one. Unlike some of the other reviewers I started with the books. When TV-Dexter came along, I was disapointed. But, well. The books have these lovely inner monologer, which can of course never works on film. Also, what can be described in writing can often not be shown. Escpecially not someone/some thing like Dexter.
Dexter in the books is very frightening, you really do not want to meet him; you do not want to think about him existing. Except that he is so sympatetic... And, of course, he proves several times on every page how full of feelings he is, and does not want to be, because once he admits that to himself...
TV-Dexter is funny and sort of cute, and so unbelivable. One would never recognize him if name were changed.
Dexter in the books is very frightening, you really do not want to meet him; you do not want to think about him existing. Except that he is so sympatetic... And, of course, he proves several times on every page how full of feelings he is, and does not want to be, because once he admits that to himself...
TV-Dexter is funny and sort of cute, and so unbelivable. One would never recognize him if name were changed.
7 people found this helpful
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Reviewed in the United States on August 30, 2019
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If you like the dark and twisted and want to take a ride in the brain of a serial killer/vigilante...well if you want that you probably already know you want it and this book is for you. I avoided these books for a long time, and now I’m not really sure why. A fun, easy read that’s entertaining as hell and makes you feel maybe not quite so bad about the bad things in yourself...because at least you don’t kill people, I mean, unless you do.
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Reviewed in the United States on January 20, 2021
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I really enjoyed this first book of the series. So far, I have gone through half of the book series and this is the best offering in terms of plot and how well it is written. The witty remarks of Dexter in the first-person perspective are fantastic and clever and lighten the mood throughout the duration of the story. I do think the TV show's adaption is superior for a few reasons, and this first book is the only one used by the show. My primary gripe against the book version is the rather spiritual aspect of Dexter's condition and the Dark Passenger as opposed to a purely psychological one. I echoed these thoughts to greater effect in my thoughts of book 3, and they are still mild in the first installment, but I feel it detracts from Dexter's state and lessens the accuracy and reality of what he is. Outside of my personal preferences on this matter, I did not want it to end because I appreciated the plot, writing, pace, and perspective so much. Five stars for a well-developed character and story that inspired an also-great show.
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FantasyDimension
5.0 out of 5 stars
A serial killer I was rooting for
Reviewed in the United Kingdom on January 23, 2019Verified Purchase
Dexter is a forensic blood splatter analyst for the Miami Police, who is secretly a sociopath.
Dexter’s adoptive father, a policeman named Harry, realised very early that Dexter was a sociopath, but he didn’t discourage him. Instead, there is Harry’s Code he must apply, and Dexter must only kill criminals who are not convicted—the bad guys. It’s hinted that they die slowly and agonisingly.
Through Dexter’s memories, we in fact learn that as Harry lay in hospital bed dying, he told his adoptive son that the nurse in charge was killing patients, and he gave Dexter ‘his blessing’ to kill her. That was Dexter’s first victim.
Dexter does his best to pretend that he is just an ordinary person, so no suspicion falls on him. There are two women in his life. His sister, Deborah, is a cop trying to go up in the ranks. Dexter also has a girlfriend—Rita, who is a single mother and used to be abused by her former partner. Therefore, she is not interested in sex. She thinks Dexter is a gentleman and a very understanding person. But, in fact, he is not interested in sex at all, so the situation is perfect for him. Deborah and Rita don’t know about Dexter’s dark side.
A serial killer then starts killing his victims in a way that intrigues Dexter, and he also starts leaving him messages hinting that he knows Dexter’s dark side. Soon he starts wondering if that person is himself, if somehow he is that serial killer and simply forgets what he’s been doing. Jeff Lindsay does a great job in this, as I started questioning myself if that was the case. It kept me wondering and confused. The story quickly became so addictive, and I couldn’t read it faster enough.
Although there is a lot of telling instead of showing, in this case, I liked it, as it allowed me to understand the character’s personality and his peculiar observations. His sarcasm and wits are refreshing. This is a serial killer I was rooting for, and the writing is good. I particularly liked the fact that he knows that he is not right in the head.
Dexter’s adoptive father, a policeman named Harry, realised very early that Dexter was a sociopath, but he didn’t discourage him. Instead, there is Harry’s Code he must apply, and Dexter must only kill criminals who are not convicted—the bad guys. It’s hinted that they die slowly and agonisingly.
Through Dexter’s memories, we in fact learn that as Harry lay in hospital bed dying, he told his adoptive son that the nurse in charge was killing patients, and he gave Dexter ‘his blessing’ to kill her. That was Dexter’s first victim.
Dexter does his best to pretend that he is just an ordinary person, so no suspicion falls on him. There are two women in his life. His sister, Deborah, is a cop trying to go up in the ranks. Dexter also has a girlfriend—Rita, who is a single mother and used to be abused by her former partner. Therefore, she is not interested in sex. She thinks Dexter is a gentleman and a very understanding person. But, in fact, he is not interested in sex at all, so the situation is perfect for him. Deborah and Rita don’t know about Dexter’s dark side.
A serial killer then starts killing his victims in a way that intrigues Dexter, and he also starts leaving him messages hinting that he knows Dexter’s dark side. Soon he starts wondering if that person is himself, if somehow he is that serial killer and simply forgets what he’s been doing. Jeff Lindsay does a great job in this, as I started questioning myself if that was the case. It kept me wondering and confused. The story quickly became so addictive, and I couldn’t read it faster enough.
Although there is a lot of telling instead of showing, in this case, I liked it, as it allowed me to understand the character’s personality and his peculiar observations. His sarcasm and wits are refreshing. This is a serial killer I was rooting for, and the writing is good. I particularly liked the fact that he knows that he is not right in the head.
4 people found this helpful
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Glen Pettifer
4.0 out of 5 stars
Great book
Reviewed in the United Kingdom on December 9, 2019Verified Purchase
To be honest I was apprehensive about the Dexter novels. I’m a Dexter geek from the tv show and watch it over and over every Friday.
This novel proved its worth and kept me reading even though I knew what was coming.
Some readers don’t like the novels but I’m looking forward to reading the rest.
I’d definitely recommend as a good easy read, I just wish there had been more typical Dexter kills. I know twisted but it’d have fallen in more with the program.
Nevertheless it’s a great read and highly recommend with a twist at the end that’s different to the tv series.
This novel proved its worth and kept me reading even though I knew what was coming.
Some readers don’t like the novels but I’m looking forward to reading the rest.
I’d definitely recommend as a good easy read, I just wish there had been more typical Dexter kills. I know twisted but it’d have fallen in more with the program.
Nevertheless it’s a great read and highly recommend with a twist at the end that’s different to the tv series.
5 people found this helpful
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Brenda Davies
5.0 out of 5 stars
Absolutely Brilliant
Reviewed in the United Kingdom on July 27, 2019Verified Purchase
Oh I did love this. I wanted to watch the tv show, but I haven't seen it yet, so I consoled myself with Book 1, and I'm glad I did because it's brilliant.
Dexter has a unique, funny voice for a serial killer. His chidlhood trauma is hinted at throughout the book and revealed at the end. It has left him with a hunger to kill and a strange relationship with blood. Despite this, or because of it, he becomes a blood splatter analyst for the Miami police, helping to find killers. But Dexter has his own way of dealing with those who he believes have committed serious crimes.
He was adpoted as a child and his father Harry, knew exactly what his son was and tried to steer him away from killing the innocent and only killing the guilty. Like a vigilante, Dexter uses Harry's code as his conscience, otherwise he'd kill just for the hell of it.
Dexter often says he has no feelings, and yet he doesn't want to disappoint Harry, who is now dead, and he loves children. Probably because he has a child like quality himself. He know's he's not normal and has taught himself to blend in. Most humans are fooled by his mimickery of normal, but dogs can sniff him out instantly!
In this book, another serial killer gets his attention. He is supposed to help the police and his sister Deb, a cop, catch this serial killer, but Dexter secretly admires his work and when he is given coded messages by the suspect, he loves the challenge and is not convined he wants to catch the killer.
I loved the writing style and the plot and the characters, especially the crazy, funny monster that I should at least fear but I can't help wanting him to win.
I can''t wait to read book 2.
Dexter has a unique, funny voice for a serial killer. His chidlhood trauma is hinted at throughout the book and revealed at the end. It has left him with a hunger to kill and a strange relationship with blood. Despite this, or because of it, he becomes a blood splatter analyst for the Miami police, helping to find killers. But Dexter has his own way of dealing with those who he believes have committed serious crimes.
He was adpoted as a child and his father Harry, knew exactly what his son was and tried to steer him away from killing the innocent and only killing the guilty. Like a vigilante, Dexter uses Harry's code as his conscience, otherwise he'd kill just for the hell of it.
Dexter often says he has no feelings, and yet he doesn't want to disappoint Harry, who is now dead, and he loves children. Probably because he has a child like quality himself. He know's he's not normal and has taught himself to blend in. Most humans are fooled by his mimickery of normal, but dogs can sniff him out instantly!
In this book, another serial killer gets his attention. He is supposed to help the police and his sister Deb, a cop, catch this serial killer, but Dexter secretly admires his work and when he is given coded messages by the suspect, he loves the challenge and is not convined he wants to catch the killer.
I loved the writing style and the plot and the characters, especially the crazy, funny monster that I should at least fear but I can't help wanting him to win.
I can''t wait to read book 2.
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Lulu
3.0 out of 5 stars
Interesting character, very basic writing style.
Reviewed in the United Kingdom on April 6, 2021Verified Purchase
Not only is Dexter a blood spatter analyst and adopted son of a policeman, but a psychopath and serial killer. He has a code of 'ethics' surrounding how he chooses his victims, and his thoughts and responses are quite often humorous. I found it was Dexter himself that kept me interested, especially the delving into his past, apart from that, I didn't find the overall plot for this first book terribly exciting, it was somewhat monotonous, however still an enjoyable read.
I found the writing style to be very basic. That could be a plus for a lot of people, especially if they are just getting into reading, but for me, a little too basic. I have been reading horror/thrillers since I was nine years old, and to be honest, bar the level of some of the uglier, gorier content, the ease of reading and style reminded me of my childhood reading days.
I flew through this book in a few hours, it in fact felt rather short. Throughout I was constantly feeling that the content needed fleshed out. I found use of description and character development lacking. I mused that maybe the lack of depth could be deliberate, as it is written from the viewpoint of a psychopath, whose perceptions and overall experiences of life may be rather 2D.
Overall an enjoyable read, however I haven't rushed to buy the second in the series just yet. Maybe the books get a little more sophisticated as time goes on. I think I will be saving the purchase of subsequent books in the series for when I specifically want a very easy, uncomplicated read.
I found the writing style to be very basic. That could be a plus for a lot of people, especially if they are just getting into reading, but for me, a little too basic. I have been reading horror/thrillers since I was nine years old, and to be honest, bar the level of some of the uglier, gorier content, the ease of reading and style reminded me of my childhood reading days.
I flew through this book in a few hours, it in fact felt rather short. Throughout I was constantly feeling that the content needed fleshed out. I found use of description and character development lacking. I mused that maybe the lack of depth could be deliberate, as it is written from the viewpoint of a psychopath, whose perceptions and overall experiences of life may be rather 2D.
Overall an enjoyable read, however I haven't rushed to buy the second in the series just yet. Maybe the books get a little more sophisticated as time goes on. I think I will be saving the purchase of subsequent books in the series for when I specifically want a very easy, uncomplicated read.
Legal Vampire
5.0 out of 5 stars
Excellent Book
Reviewed in the United Kingdom on March 5, 2015Verified Purchase
This book, the first in a series was adapted, reasonably faithfully as these things go, into the first season of the television programme `Dexter'. Later Seasons of the TV programme took a different direction from the books (the second book in the series is probably too 'strong' for television) but at this stage they are sufficiently similar that some of what I say here also appears in my review of Dexter Season 1 in DVD/Blu Ray.
Both book and television programme are good. If you experience both it is probably better to see the programme first and then read the book, but on balance I think the book is better. In the book the author's often clever and witty turn of phrase adds something to the experience that is different from watching the programme.
If I describe this excellent book it will sound worse than it is so please do not be put off from trying it. I cannot properly convey why as Dexter's asides in the book work less well taken out of context ("Dogs don't like me. They generally disapprove of what I do to their masters, especially as I refuse to share the best bits.".)
Dexter, a forensic `blood splatter analyst' for the Miami Police, is secretly a `controlled sociopath'.
A sociopath is a person with a currently untreatable mental condition whereby they have no conscience, remorse or sympathy to restrain selfish, destructive or violent impulses. It is of course easy for someone like that to become a criminal and many do. However, many others, the controlled sociopaths like Dexter, while realising they are different, learn to live mostly unnoticed among us, mimicking our behaviour so as not to stand out. Such people are restrained in their conduct not by any solid sense of morality or sympathy for others, but by learning that life is easier if they work within society's laws and morality; or at least to seem to do so enough not to be caught.
Dexter's adoptive father, a policeman, recognised early on that Dexter was a sociopath, but instead of disowning him taught him to direct his more violent and destructive impulses in a way that is, arguably, better both for Dexter and for society than if he had become an ordinary criminal. By night Dexter secretly tracks down and eliminates murderers, rapists and such like that he encounters in his day job as a scientist with the Miami Police Department, choosing those who are clearly guilty but who cannot be convicted under the law with all its procedural safeguards.
I know that probably sounds terrible, but, as I have said, it will sound worse than it is so please do not be put off from trying Dexter. Indeed while you might not expect to like a serial killer, you may well find you like Dexter.
There are two main women in Dexter's life: his shy, somewhat naïve girlfriend Rita and his policewoman sister Deborah (proper Biblical spelling of her name in the book, for some reason wrongly spelled Debra in the TV Series. She also has bigger breasts in the book!) Both of them care about Dexter but neither of them knows about his darker, secret life. Like many sociopaths, knowing most people could not take the truth about him, hiding in plain sight has become second nature to Dexter.
Anyone who becomes interested in the subject of controlled sociopaths may want to read. Confessions of a Sociopath: A Life Spent Hiding In Plain Sight by Thomas. M. E. ( 2013 ) Paperback and her blog sociopathworld.com. She is a former assistant professor of law in the USA who is a diagnosed controlled sociopath herself. She found Dexter, while not 100% accurate, was pretty close.
Both book and television programme are good. If you experience both it is probably better to see the programme first and then read the book, but on balance I think the book is better. In the book the author's often clever and witty turn of phrase adds something to the experience that is different from watching the programme.
If I describe this excellent book it will sound worse than it is so please do not be put off from trying it. I cannot properly convey why as Dexter's asides in the book work less well taken out of context ("Dogs don't like me. They generally disapprove of what I do to their masters, especially as I refuse to share the best bits.".)
Dexter, a forensic `blood splatter analyst' for the Miami Police, is secretly a `controlled sociopath'.
A sociopath is a person with a currently untreatable mental condition whereby they have no conscience, remorse or sympathy to restrain selfish, destructive or violent impulses. It is of course easy for someone like that to become a criminal and many do. However, many others, the controlled sociopaths like Dexter, while realising they are different, learn to live mostly unnoticed among us, mimicking our behaviour so as not to stand out. Such people are restrained in their conduct not by any solid sense of morality or sympathy for others, but by learning that life is easier if they work within society's laws and morality; or at least to seem to do so enough not to be caught.
Dexter's adoptive father, a policeman, recognised early on that Dexter was a sociopath, but instead of disowning him taught him to direct his more violent and destructive impulses in a way that is, arguably, better both for Dexter and for society than if he had become an ordinary criminal. By night Dexter secretly tracks down and eliminates murderers, rapists and such like that he encounters in his day job as a scientist with the Miami Police Department, choosing those who are clearly guilty but who cannot be convicted under the law with all its procedural safeguards.
I know that probably sounds terrible, but, as I have said, it will sound worse than it is so please do not be put off from trying Dexter. Indeed while you might not expect to like a serial killer, you may well find you like Dexter.
There are two main women in Dexter's life: his shy, somewhat naïve girlfriend Rita and his policewoman sister Deborah (proper Biblical spelling of her name in the book, for some reason wrongly spelled Debra in the TV Series. She also has bigger breasts in the book!) Both of them care about Dexter but neither of them knows about his darker, secret life. Like many sociopaths, knowing most people could not take the truth about him, hiding in plain sight has become second nature to Dexter.
Anyone who becomes interested in the subject of controlled sociopaths may want to read. Confessions of a Sociopath: A Life Spent Hiding In Plain Sight by Thomas. M. E. ( 2013 ) Paperback and her blog sociopathworld.com. She is a former assistant professor of law in the USA who is a diagnosed controlled sociopath herself. She found Dexter, while not 100% accurate, was pretty close.
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