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Reef Paperback – February 1, 1996
| Romesh Gunesekera (Author) Find all the books, read about the author, and more. See search results for this author |
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Triton loved living in Mister Salgado's house. It was the biggest house he had ever seen--filled with floors to sweep and silver to polish and meals to cook and adults to impress and a brilliant master whose voice was poetry. And people from all over the world came to the house-- to sell their wares, to talk, to live, for this was where life took place. Even the sun would rise from the garage and sleep behind the del tree at night. And in the house, life was good.
But beyond Mister Salgado's house and their Sri Lankan village there was a world. And all around them, it was falling apart...
- Print length192 pages
- LanguageEnglish
- PublisherRiverhead Books
- Publication dateFebruary 1, 1996
- Dimensions5.2 x 0.6 x 8 inches
- ISBN-101573225339
- ISBN-13978-1573225335
- Lexile measure770L
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Events from the last century that many readers will remember and think that all those facts were part of our recent history. It is a book written in a slow warm mood that readers grasp easily up to the end
Animated by the lyrical narration of Triton, whose simple, focused voice resounds with enthusiasm and curiosity, mixed with the ignorance of the humble and uneducated, this is a touching, absorbing, entertaining novel.
In the first pages, Triton is an adult, a restaurant owner in England, who stops at a gas station and encounters a cowering immigrant attendant who begs his help in figuring out his new job.
Triton is plunged into the memories of 20 years before in Sri Lanka when, on the eve of a "bungled coup" he is scarcely aware of, he was brought to work at age 11 for Mister Salgado, a brooding scientist with a pessimistic passion for the nation's coral reefs.
"Mister Salgado's house was the centre of the universe, and everything in the world took place within its enclosure."
His life shadowed by the hated figure of Joseph, the manservant, young Triton secures some pieces of onion to rub on the man's bed pallet. But suddenly there's an eruption of screams from next door. The old wife, it turns out, has tied her unfaithful husband in the bath and rubbed him all over with chilli powder. Triton chucked away his onion quarters; "they seemed too tame, but I was not ready to use chilli yet."
But soon, after a scene of abuse Triton can never speak of, Joseph is banished from the house and Triton has what he wants. He has Mr. Salgado to himself and he goes about his work with single-minded dedication, anticipating his employer's wishes, reading his books, emulating him in small matters like list-making.
But even this is not enough. With the outside world irrelevant, except as it affects the mood and movements of his master, Triton, an ambitious man even if he doesn't know it, transforms himself into a chef extraordinaire. There is nothing he cannot create.
And a new, exciting presence at the house, Nili, a woman with an appreciative appetite, and a salutary effect on Mr. Salgado, spurs Triton to go all out. The food is "more than good. I knew, because I can feel it inside me when I get it right. It's a kind of energy that revitalizes every cell in my body. Suddenly everything becomes possible and the whole world, that before seemed slowly to be coming apart at the seams, pulls together."
The house enjoys a resurgence of love and energy but outside events intrude, eroding their homelife and threatening their physical safety. Triton ignores politics as no concern of his, but no one can remain apart from the world, although it doesn't necessarily do any harm to try.
Absorbed in his art, focused on his master, Triton finds contentment and satisfaction which he conveys in simple, delectable language and deceptively offhand anecdotes. Triton is a captivating character and Gunesekera a subtle, graceful writer with a rich feel for language.
The author's trademark topic is food which is well treated in his short stories (read Monkfish Moon by him for more) and really well served up in Reef. This and many other exotic features such as wildlife, native patois are obvious highlights and selling points in the book. Dialogues are sketchy, incomplete and we can fill in the missing words even if the degree of articulateness is lacking or obtuse.
There are dark, brooding undercurrents and Mr Salgado ultimately is a failed, lonely guy - in romance and in his job (though the romantic side is incomplete - by the end and there may be reconcilliation). His failure is because of the nature of Sri Lanka itself apart from anything personal. The way that the governments there cannot be expected to protect people or do any real good and the way the country swings from one extreme to another. This is captured in the dialogue.
There are also dark sexual overtones/undertones in this book. Things to do with homosexuality, male bonding, fear psychoses, violence. Sexual references are covert and psychological - e.g., there is a greatly distorted story of Angulimala, more violent than the original describing a necklace of fingers, but in a subtext, penises. True to Sri Lankan style, we don't hear much beyond a couple gazing at each other and finding comfort in company. At the end there is a violent break up, perhaps too violent.
I am concerned that the impression of Sri Lanka conveyed may be overcritical, brooding and dark. I think the Man Eaters of Punanai by C. Ondaatje, conveys something of Sri Lanka's troubles and potential treasures without any brooding sentiment.
This book was dark, depressing and aromatic. Good to have read its limpid, chatty and at times disturbing/churning prose.
Top reviews from other countries
The narrator, Triton, becomes a houseboy when he is 11, in 1962. He describes his time in that household until the civil war in 1971
This is a simple but compellingly beautiful tale. Can plod on slowly at times and be a little bit muddled
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The prose has beautiful and sensual cadences as Triton travels with his master to the sea. Mr Salgado is much revered and liked, but he is a man who disdains power for its own sake. When the beautiful Miss Nili comes to stay Triton is entranced by her, and redoubles his effort to make increasingly elaborate meals for them and the friends of Miss Nili whom she invites to their dinners. There is the sense that Mr Salgado could be an important force in the attempts to preserve the reef, but his diffidence and a certain lack of agency affects his life. Nothing transpires from his studies of the flora and fauna of the reef. In the end there seems to be nothing but Mr Salgado's lethargy that stands in the way.
Beautifully written from the point of view of his faithful servant Triton this is in the end a disappointing, but perfectly consonant story. There is the suggestion that the world has failed Mr Salgado, rather than the other way around, when he is betrayed by a visitor who sleeps with Miss Nili.
"To Miss Nili's coterie of friends, she and Mr Salgado were a daring example of a real modern couple: in love, independent and carefree... An appealing contrast to the despondency of a nation grappling with the dilemmas of uneconomic development. Instead of an extended family we grew a network of admirers, oglers, hangers-on. They craved my cooking..."
Mr Salgado eventually takes Triton with him to London and gives him a chance to manage a small restaurant. But the story leaves one with a feeling of inertia and sadness. The beauty of the language is, in the end, not enough to conquer one's disappointment.




