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Brasyl

4.1 out of 5 stars (115)
3.7 on Goodreads
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Book overview

Think Bladerunner in the tropics...

Be seduced, amazed, and shocked by one of the world’s greatest and strangest nations. Past, present, and future Brazil, with all its color, passion, and shifting realities, come together in a novel that is part SF, part history, part mystery, and entirely enthralling.

Three separate stories follow three main characters:

Edson is a self-made talent impresario one step up from the slums in a near future São Paulo of astonishing riches and poverty. A chance encounter draws Edson into the dangerous world of illegal quantum computing, but where can you run in a total surveillance society where every move, face, and centavo is constantly tracked?

Marcelina is an ambitious Rio TV producer looking for that big reality TV hit to make her name. When her hot idea leads her on the track of a disgraced World Cup soccer goalkeeper, she becomes enmeshed in an ancient conspiracy that threatens not just her life, but her very soul.

From Publishers Weekly

Starred Review. British author McDonald's outstanding SF novel channels the vitality of South America's largest country into an edgy, post-cyberpunk free-for-all. McDonald sets up three separate characters in different eras—a cynical contemporary reality-TV producer, a near-future bisexual entrepreneur and a tormented 18th-century Jesuit agent. He then slams them together with the revelation that their worlds are strands of an immense quantum multiverse, and each of them is threatened by the Order, a vast conspiracy devoted to maintaining the status quo until the end of time. As McDonald weaves together the separate narrative threads, each character must choose between isolation or cooperation, and also between accepting things as they are or taking desperate action to make changes possible. River of Gods (2004), set in near-future India, established McDonald as a leading writer of intelligent, multicultural SF, and here he captures Latin America's mingled despair and hope. Chaotic, heartbreaking and joyous, this must-read teeters on the edge of melodrama, but somehow keeps its precarious balance. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist

*Starred Review* McDonald takes on frenetic, vast, fascinating Brazil in this epic interweaving three time strands: the contemporary world of TV producer Marcelina, whose proposal for a series based on a mock trial of an ex-soccer star who played in the most devastating championship game in Brazilian history gets her entangled with the strange truth about our world; the eighteenth century of a Jesuit whose "task most difficult" of returning a fellow Jesuit to the teachings of the church takes him to the Amazon, where the task becomes unexpectedly, unimaginably more difficult and bizarre; and the nearish future, in which Edson, risen from poverty and crime almost to his dream of wealth and a house by the sea, gets mired in the affairs of Fia, a quantumiera (she operates a quantum computer in an always-moving vehicle) who disables the quantum security chip his brother nearly died for stealing. The connections of these worlds through the various ways in which people can perceive all possible universes, and the implications of the universe's unavoidable quantum entanglements--ranging from the possibility of predicting the future to the existence of nigh-infinite doubles of everyone--prove startling. McDonald's Brasyl is a magnificent place, and the motivations and possible results of the battle over the multitude of quantum universes it posits are chilling and wonderful. Regina Schroeder
Copyright © American Library Association. All rights reserved

About the Author

Ian McDonald is the author of Planesrunner, Be My Enemy, and Empress of the Sun, in the Everness series. He has written thirteen science fiction novels--including the 2011 John W. Campbell Memorial Award winner for Best Novel, The Dervish House--as well as Brasyl, River of Gods, Cyberabad Days, Ares Express, Desolation Road, King of Morning, Queen of Day, Out on Blue Six, Chaga, and Kirinya.  He's been nominated for every major science fiction award, and even won some. McDonald also works in television and in program development--all those reality shows have to come from somewhere--and has written for screen as well as print. He lives in Northern Ireland, just outside Belfast, and loves to travel.

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Ian McDonald was born in 1960 in Manchester, England, to an Irish mother and a Scottish father. He moved with his family to Northern Ireland in 1965. He used to live in a house built in the back garden of C. S. Lewis’s childhood home but has since moved to central Belfast, where he now lives, exploring interests like cats, contemplative religion, bonsai, bicycles, and comic-book collecting. He debuted in 1982 with the short story “The Island of the Dead” in the short-lived British magazine Extro. His first novel, Desolation Road, was published in 1988. Other works include King of Morning, Queen of Day (winner of the Philip K. Dick Award), River of Gods, The Dervish House (both of which won British Science Fiction Association Awards), the graphic novel Kling Klang Klatch, and many more. His most recent publications are Planesrunner and Be My Enemy, books one and two of the Everness series for younger readers (though older readers will find them a ball of fun, as well). Ian worked in television development for sixteen years, but is glad to be back to writing fulltime.

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Customers say

Customers find the aesthetics intricate and real. However, they describe the plot as sloppy, unstable, and abrupt.

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Customers find the book's aesthetics intricate and real.

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"...The characters and their surroundings are fleshed out with intricate aesthetics and the premise continues to be thought-provoking several months..." Read more

"...It helped that Ian MacDonald made the background seem real...." Read more

"Brilliant and beautiful..." Read more

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Customers find the plot sloppy and unstable. They also say the ending is abrupt.

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"...And the ending was just a wee bit abrupt, making me feel like this was the overly long, conclusion-free introduction to a series of novels..." Read more

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Top reviews from the United States

5.0 out of 5 starsVerified Purchase
Brilliant and beautiful
Reviewed in the United States on September 4, 2016
This is my favorite of all of McDonald's works so far. He expertly weaves together three different stories in dramatically differing time periods but does this with such apparent ease and fluidity of language (including a lot of the Portuguese idiom) that the complexity of... See more
This is my favorite of all of McDonald's works so far. He expertly weaves together three different stories in dramatically differing time periods but does this with such apparent ease and fluidity of language (including a lot of the Portuguese idiom) that the complexity of the whole work is illuminated but never overwhelming. Father Luis Quinn, an Irish Jesuit cleric sent by the Portuguese Jesuit authorities to "admonish" a fallen priest in the deep jungles of 18th century savage and slave-ridden colonial Brazil is also my favorite of all of McDonald's characters. Quinn, a huge strong paradox of a man with a dark past, asks only for a "task most difficult." He gets this and we get a brilliant read in return.
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4.0 out of 5 starsVerified Purchase
This was a complex read but the whole thing has ...
Reviewed in the United States on February 16, 2016
This was a complex read but the whole thing has really stuck with me. The characters and their surroundings are fleshed out with intricate aesthetics and the premise continues to be thought-provoking several months later.
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3.0 out of 5 starsVerified Purchase
Cool premise, too much jargon
Reviewed in the United States on May 10, 2014
Love the multiverse idea but when entire sections are rendered puzzling by the overuse of Brazilian words/slang, it becomes a chore, not a read. Certainly didn't make me feel any more immersed in the world - had quite the opposite effect. And the ending was just a wee bit... See more
Love the multiverse idea but when entire sections are rendered puzzling by the overuse of Brazilian words/slang, it becomes a chore, not a read. Certainly didn't make me feel any more immersed in the world - had quite the opposite effect. And the ending was just a wee bit abrupt, making me feel like this was the overly long, conclusion-free introduction to a series of novels (rather than a self-contained piece of goodness).
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5.0 out of 5 starsVerified Purchase
Like all the best science fiction really great
Reviewed in the United States on May 4, 2014
I knew a lot of it was nonsense. In particular, his alternate timelines and his explanation of quantum theory; but I was more than willing to let it pass. It helped that Ian MacDonald made the background seem real. In fact, he did some research to make it seem, and it is... See more
I knew a lot of it was nonsense. In particular, his alternate timelines and his explanation of quantum theory; but I was more than willing to let it pass. It helped that Ian MacDonald made the background seem real. In fact, he did some research to make it seem, and it is the only action/adventure I know of with a bibliography. Of course, it also helped that he placed his tale in an exotic location.
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4.0 out of 5 stars
Realistic characters in a bizarre and enjoyable journey!
Reviewed in the United States on July 30, 2007
Coming on the heels of McDonald's blockbuster hit "River of Gods", Brasyl is part cyberpunk, part historical narrative, part bladerunner, part parallel universe epic, and part introduction to a culture most Americans know nothing about. Throwing standard American/Western... See more
Coming on the heels of McDonald's blockbuster hit "River of Gods", Brasyl is part cyberpunk, part historical narrative, part bladerunner, part parallel universe epic, and part introduction to a culture most Americans know nothing about. Throwing standard American/Western European scifi on it's head, McDonald sets his story in Sao Paulo, the capitol of Brazil. I don't know about you, but everything I know about Sao Paulo can be summed up with "they speak Portuguese, right?". I am a sad, sad American that I know next to zero about one of the worlds largest cities. Forget Tokyo and New York City, this future is in South America. While he overwhelms you with local slang and culture (don't worry, a lot of it is in the glossary in the back), we are introduced to three different Sao Paulos in three very different times.

Sao Paulo, 1730's, father Luis Quinn is on a Jesuit mission to bring a rogue priest back into faith by whatever means necessary, before this man can burn and kill his way through the jungle. Beyond treacherous waters, dangerous animals, unpredictable natives and poisonous everything, Quinn has no idea what to expect. And the reports of gigantic angels flying over the river followed by fiery death are especially disturbing.

Sao Paulo, right now. Marcelina Hoffman produces trash reality tv shows by day, and sleeps with a highly respected news reporter by night. Always chasing the new big thing to beat the competition, she has no idea when she is in over her head. While on a wild goose-chase for the story of her life, no amount of capoeira will save her from the a fast death by a q-blade, which cuts down to the quantum level.

Sao Paulo, thirty years from now. The population is higher, the stakes are higher, the technology is faster. Uncontrolled consumer garbage is a marketplace unto itself, where children mine for metals, and quantum computing crime is organized. Enter Edson, a sometimes talent agent, sometimes petty thief, always protector of his family. Getting involved with the beautiful Fia pulls him into her dangerous world of quantum computations, digital hacking, and parallel universes. While visiting the scene of her gruesome death, Edson looks up to see Fia staring at him from across the street.

What could these three story lines possibly have in common? McDonald braids them around each other, bring them together only at the knot at the end. Sure, I've read parallel universe plotlines before, but Brasyl takes it to a whole new level of weirdness. McDonald's characterization is great, the characters feel realistic, fleshed out, and for the most part, unlikeable. Marcelina and Edson seem to be drowning in their own distaste for themselves, looking for new people, new thrills, new drugs, new anything to help them run from who they are. Quinn is a quiet man with a violent past, who has found his personal salvation. The man with the strongest faith, he has the most to lose. We get whispering and rumors of a behind-the-scenes "order", who are trying to keep knowledge from the general public. What are they hiding? It's these shadowy details that become the most fascinating part of the book, but are rarely expanded upon. Quinn, Marcelina, and Edson, they do not exist in a vacuum. the Universe and all its secrets exists around them. How much knowledge can they handle? will the truth set them free? Or imprison them further? Enjoy their stories for what they are, don't rush to the end for the action. The enjoyment of the journey makes the unexpected and bizarre kicker even sweeter.

Although alluring, Brasyl is not an easy book to read. Peppered with what's become the standard cyberpunk shock value and constant barrage of Portuguese slang and reference to indiginous religons, you've got to get through a lot of interference to hear what McDonald is trying to say. There is a line between imersion, and drowning. I'm sure the next time I read a book that culture shocks me, I'll enjoy it more. the first time is always the hardest. Perhaps it is time to for me to pick up McDonalds earlier work - River of Gods, his view of a future India. Also a center of population whose details I am ignorant of.

3 and a half out of 5 spaceships

Reviewer: Andrea Johnson for Multiverse Reviews
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5.0 out of 5 stars
Unbelievable read!
Reviewed in the United States on May 7, 2007
Brasyl was one of this year's most anticipated reads for me. With River of Gods, Ian McDonald raised the bar rather high, and I was wondering if the author could come up with something as good. It never occurred to me that McDonald could write a better novel. And... See more
Brasyl was one of this year's most anticipated reads for me.

With River of Gods, Ian McDonald raised the bar rather high, and I was wondering if the author could come up with something as good. It never occurred to me that McDonald could write a better novel. And yet, somehow, he did!

Brasyl is a mesmerizing ensemble of three different tales. On takes place in Rio de Janeiro in 2006, as an ambitious reality tv producer finds herself in the middle of a conflict that could unravel reality itself. The second story takes place in Sao Paulo in 2032, as a man is thrust into the dangerous universe of quantum computing and he'll never be the same again. The third storyline occurs in Brazil in 1732, as a Jesuit Father is sent to bring back a rogue priest to face the justice of the religious order.

I was astonished to see the tale unfold, to see how McDonald yet again captures the essence of a country and its people and weaves it in a myriad of ways throughout the novel. The author paints a vivid picture of South America's largest country, depicting the past, the present, and the possible future of Brazil in a manner that makes everything come alive as you read on. Every plotline is tied to the others. Indeed, everything is linked together across time and the fabric of reality, thanks to quantum physics and the multiverse that surrounds our existence.

The worldbuilding is "top notch." Ian McDonald deserves kudos for his brilliant depiction of Brazil during three different epochs. As always, the author's eye for exquisite details adds another dimension to a book that's already head and shoulder above the competition.

Of the three main characters (one for each era), Father Luis Quinn steals the show. Funny how a Jesuit priest from the 18th century should become the star of a thought-provoking scifi masterpiece! The supporting cast consists of a few interesting characters, chief among those Dr. Robert Falcon.

You'll be amazed to see how the various plotlines come together to form a dazzling whole. This book blew my mind even more than River of Gods. Seriously, I didn't want it to end!

Brasyl deserves the highest possible recommendation. It will surely be one of the best -- if not the best -- science fiction novels of 2007.

Without the shadow of a doubt, Brasyl is one of the books to read this year!
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4.0 out of 5 stars
Brazil in the future with Quantum physics thrown in
Reviewed in the United States on June 10, 2012
How does Ian McDonald do it. He delighted me with River of Gods. He surprised me with Cyberabad Days. This is an absolute beauty. There are three parallel stories all set in different times in Brazil. The one I liked most is set in the 17th century and is about a prise... See more
How does Ian McDonald do it. He delighted me with River of Gods. He surprised me with Cyberabad Days. This is an absolute beauty.
There are three parallel stories all set in different times in Brazil. The one I liked most is set in the 17th century and is about a prise Luiss Quinn(that I remember after two weeks ought to speak for the book). The sword fights are the equal to anything that Alexandre Dumas does in Three Musketeers and the writing is fantastic. I also learnt a lot of strange facts about a lot of strange things including the origin of computing.
The second arc is set in the present and concerns itself with a reporter on the hunt of disgraced Goalkeeper who lost Brazil the fateful final against Uruguay. This probably has the best description of a football match that I have ever read. (Admittedly I haven't read many but its hard to see how it can get better than this).
The third strand is set in the future and I found it to be the most confusing. Quantum technology has reached the street and is with any technology that is made available, strange and unconventional uses are found all the time. Admittedly I didn't enjoy this strand as much.
As with Ian McDonald and like in River of Gods it all connects in the end thanks to the many worlds interpretation of Quantum Physics. McDonald is a wonderfully gifted writer and the prose is clipped and of all the authors I read I think I read McDonald the fastest. I would still rate River of Gods higher than Brasyl though.
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3.0 out of 5 starsVerified Purchase
a hard read
Reviewed in the United States on May 2, 2008
This was the first book by Ian McDonald I have read. The plot was interesting, even engaging at times. But the writing was horribly loose and overwritten, and especially in the beginning before I got used to large amount of Portuguese words scattered everywhere this was... See more
This was the first book by Ian McDonald I have read. The plot was interesting, even engaging at times. But the writing was horribly loose and overwritten, and especially in the beginning before I got used to large amount of Portuguese words scattered everywhere this was really, really slow read.
Why say something simply, when you can use a few flowery and long sentences without commas to say the same thing? :-) This book didn't give me any need to sample something else McDonald has written. Second this years' Hugo nominated book I have read. At this time "No award" is still my first choice in the novel category.
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Top reviews from other countries

Eileen Shaw
5.0 out of 5 starsVerified Purchase
"For a hundred leagues along the Rio Branco the emblem of the Green Lady is an object of dread"
Reviewed in the United Kingdom on December 9, 2013
This is stunning. Set in modern times in Sao Paulo, and in 1732-34 in the Amerindian jungle. It flips to one or another location chapter to chapter. Don't let the noisy language in the first chapter, set in 2005, put you off. This is where we meet, a group of boys who have...See more
This is stunning. Set in modern times in Sao Paulo, and in 1732-34 in the Amerindian jungle. It flips to one or another location chapter to chapter. Don't let the noisy language in the first chapter, set in 2005, put you off. This is where we meet, a group of boys who have unexpectedly found a Merc with the keys still in it and are having it away, when one, Marcelina Hoffman comes on their sound system shrieking that they are on a TV Game Show, and all they have to do to keep the car and maybe get a TV contract, is evade the cops who are hot on their trail. Bear with it. It does get better than this. As an arbiter of TV taste, though, Marcelina leaves a lot to be desired. Something weird is happening in Marcelina's universe as she seems to be sabotaging her own production ideas. The language is a mixture of South American slang and up to the moment neologisms. Copywrong dealers are `quantumeiros'. Top-dog of the favela (shanty-town)is Fia Kisheda with the very important handbag. In the Favela "the population of a small town scavanges the slopes of the tech trash mountain." There's the forest of fake-plastic trees (has Thom York read this book?), the Vale of Swarf, the Ridge of Lost Refrigerators. In the blink of an eye we are at June 1732, with a mule going mad on the wharfe-side, and Father Luis Quinn, an admonitory of the Jesuit Order, is raging at a race, where slaves carry their (human) mounts up the rigging. That word `admonitory' has a meaning which will carry over via quantum mechanics to the present and the future. Quinn will travel with Dr Robert Falcon, a Geographer, in whose possession is a new device, a governing engine of some kind. We learn more about this, and, staring into the river, as two currents converge, Falcon intuits fractals. Some the descriptions of the landscape and jungle are breathtaking. We flip to 2032 where an admonitory of the Order has crossed the boundaries between the multiverses, this is Fia, whose computer is printed on her body. Slipping back to 2006, we learn that there is not one world, there are many worlds. There is not one you, there a many you's. There is not the universe, but the multiverse. There are two competing theories. One is String Theory, the other is Loop Quantum Gravity. LQG wins out. We segue back and forth in time, pivoted upon theory. In 1733 Fr Quinn has determined a site to develop, a home for his freed slaves, but a mad priest, Goncalves, has dammed the river. Can the damm be sabotaged? Can Fr Quinn deliver the ultimate admonishment? The Portuguese Navy is sequestered nearby. Will they interfere? (You bet they will.) The thick allusiveness of the language is a revelation, in both worlds. I've left a lot out of the range of plots - futbol, for instance. It's a wonderful book, but you need a deep affinity for Science Fiction (and maybe a little bit of scientific nous), to get the best out of it. But even without that, if you like real, grown-up SF, this was made for you. There's a very welcome glossary at the back.

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4.0 out of 5 starsVerified Purchase
Colourful Complex Quantum Shenanigans
Reviewed in the United Kingdom on November 19, 2011
In 1733, Father Luis Quinn, a decent irish priest haunted by a violent incident in his past, is sent on a mission into the Amazon jungle as an admonitory to reign in a rogue priest. In 2006, Marveline Hoffman, a producer of reality TV programmes is on the trail of Barbosa,...See more
In 1733, Father Luis Quinn, a decent irish priest haunted by a violent incident in his past, is sent on a mission into the Amazon jungle as an admonitory to reign in a rogue priest. In 2006, Marveline Hoffman, a producer of reality TV programmes is on the trail of Barbosa, the Brazilian goalkeeper from the Nineteen Fifty Fateful Final, the man who made all Brazil cry. However, things start becoming decidedly weird when her doppelganger begins interfering in her life. And in 2033, Edson, a metrosexual bisexual entrepreneur, falls suddenly in love with a Japanese quantum scientist in a Brazil monitored by surveillance angels whose quantum technology is beginning to leak onto the streets. For these three main characters to be enfleshed so lovingly on the page is remarkable enough, but McDonald goes far far further in giving birth to an entire cast of wonderful people. It is most impressive in its tri-part descriptions of South America in its past, present and future where life in each of the three ages is tough, but still finds room for loving, compassionate people. Each of the protagonists experiences, to a greater or lesser degree, an epiphany and their lives are changed. Father Luis Quinn's turning point is when he is given an Amazonian drug extracted from the skin of a golden frog which gives him access to his consciousness across the infinite array of parallel universes. Marcelina, whose life revolved around the production of exploitative reality shows, finds her life turned upside down by the discovery of another Marcelina from a parallel world who is slowly destroying her life and relationships. Edson, possibly the most complex of the characters here, falls in love with a quantum physicist. When she is killed he is devastated until he sees her again and discovers that she is a fugitive from a parallel world who is being hunted down by the agencies patrolling the infinite array of quantum realities. It becomes evident that these worlds are from different variations of our own earth, and none of them may be based on the Earth we know. However, inbetween the plots strands McDonald gives us wonderful views into the lives of a whole army of characters, whether they be Eighteenth Century scientists attempting to measure the world or Hispanic cleaning ladies who know all there is to know about The Fateful Final when Brazil lost the World Cup in Nineteen Fifty.

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Ed.F
5.0 out of 5 starsVerified Purchase
Top notch
Reviewed in the United Kingdom on August 29, 2007
Absolutely first class read from Ian McDonald. A three handed narrative, in the now almost compulsory Sci-Fi multi narrative, multi timeline format but none the worse for it. Unlike so many novelists McDonald handles his disparate narrative streams deftly, allowing...See more
Absolutely first class read from Ian McDonald. A three handed narrative, in the now almost compulsory Sci-Fi multi narrative, multi timeline format but none the worse for it. Unlike so many novelists McDonald handles his disparate narrative streams deftly, allowing sufficient "bleed through" before the dénouement to direct and steer the meta-narrative and keep the stories tightly entwined until they fuse into one. I loved Brazil as a source of inspiration, mixing past, present, future and some merely "possible" Brazils with a quantum cascade of possibilities and interlinkage that kept me turning pages well into the night. If I have any criticism is it that the character of the protagonist in the past brazil, Luis Quinn, felt too familiar to me, almost stereotypical in some respects, perhaps I've simply read too many novels to allow me to see characters as truly fresh if they share any, even minor, trait with another I've read somewhere else, but this is a very trivial complaint in an otherwise compelling and innovative book.

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P. J. Dunn
4.0 out of 5 starsVerified Purchase
Lots of annoying ways to apply the letter Q
Reviewed in the United Kingdom on May 7, 2014
This depicts both a future and past Brazil but not as you know it. It’s Brasyl, or a multiplicity of Brasyls, or Brazils, past, current and present which each give you a range of believable characters along with lots of annoying ways to apply the letter Q. My only minor...See more
This depicts both a future and past Brazil but not as you know it. It’s Brasyl, or a multiplicity of Brasyls, or Brazils, past, current and present which each give you a range of believable characters along with lots of annoying ways to apply the letter Q. My only minor criticism would be with the ending but I will leave you to discover that for yourself…

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