I have been a fan of Mike Watt through all his musical incarnations. I saw the Minutemen and fIREHOSE perform several times each, and have many of his albums with them, Ciccone Youth, Dos, the Unknown Instructors, and others.
Watt's solo albums are truly different from his other work, yet you can definitely follow the thread. This album reminds me a lot of his work with Dos, because although there is a full band, his bass is so prominent in the mix, and the tunes are short and complex. It's a very challenging listen; in many ways his most "difficult" music to date, and perhaps his least commercial in a long time, but the rewards become evident if you are patient and keep listening. That said, it is not difficult to listen to -- just difficult to get your head around. (Unlike other avant grade stuff, you don't feel assaulted. It is more like discovering a new place than being sonically beaten up.)
Many years ago, when I was an English major, I wanted to do a tribute to D. Boon, so I picked a bunch of short Minutemen lyrics I liked, to read at an open mic night. However, when I checked, most of those lyrics were written by Watt. This album, with its strange metaphors, its thematic structure, and playful twists, reminds me of why I like Watt's wordage so much.
It's strange and wonderful and challenging stuff, and I think it is awesome that at 53, Watt is still trying new things.
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