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iFi Micro iDSD USB DAC and Headphone Amplifier
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- Turn digital audio into cleaner, clearer, more naturally detailed music for headphones, powered speakers, and complete audio systems
- Dual-core Burr Brown chipset accommodates all music files, including the highest resolution DSD and DXD formats
- High output (> 2 volts) drives almost all headphones and in-ear monitors, including low-efficiency, power-hungry models
- Portable with up to 12 hours of playback and a 1.5A SmartPower® charger compatible with iPhone and Android devices
- Features high-performance minimum-phase, 32-bit decoding, analogue volume control, Direct/Pre-Amp, 3.5mm input, SPDIF coaxial Input/Output
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Your music library is becoming more digital, but you don’t want to give up the high fidelity sound that you love! Our Micro iDSD is engineered to give you true high-end performance from nearly any digital source on the market! It is the ONLY digital-to-analog converter that’s capable of True Native PCM768, Octa-Speed DSD512, and 2x DXD audio file formats. What’s more is that the iDSD can decode each format natively with no internal conversion - leaving you to enjoy the best sound quality possible! The iDSD is also designed to fit your modern lifestyle, so we made sure you can use it while you are on the go! It’s capable of delivering up to 12 hours of playback across most headphone types, and offers easy plug-n-play connectivity to your iPhone, iPod, iPad (Apple camera kit required), and Android smart device. What’s more, the iDSD features a built-in headphone amplifier that is powerful enough (4000 mW) to drive nearly any set of headphones or earbuds, from Senheisser to Hi-Fi Man! But this doesn’t mean you sacrifice features. The Micro iDSD boasts numerous minimum-phase filters for you to play with, a unique 3D Holographic Sound circuit that will boost the soundstage of your headphones, XBass control for a nice bump down low, a polarity switch, a precision analog volume control, and an iEMatch circuit that will allow anybody to use high sensitivity IEM’s while avoiding hiss! And of course, all of this comes with the best customer service in the business! Have a question or a problem? Just use our unique Support Ticket System, and we’ll be happy to take care of you!
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Greeted with a nice cover shot of all aluminum Micro, my attention zoomed right into the description underneath of it with “Octa-Speed DSD512, Double-Speed DXD, and PCM 32bit/768kHz”. You know right away this is going to be one serious piece of audio equipment with some major horse power under the hood. As I continued with my tour of the box exterior, turning it on the side revealed more details about Dual-Core Burr Brown chipset supporting True Native DSD and Bit Perfect DXD/PCM, a powerful 8Vrms/4W (into 16 ohm) output, 3D holographic sound system and XBass effects, and even 1.5A external charging port for your smartphone or tablet. But wait till you get to the back of the box and start reading every bullet in the Technologies and Specifications list underneath of a detailed drawing of Micro from every side. To describe it as “impressive” would be an understatement, and the only thing missing in there was a kitchen sink, and that was probably because they ran out of room.
Even before getting my hands on it, I was already feeling overwhelmed trying to decide what I am going to test first when I get Micro out of the box. The box was inside of the outer sleeve with all the printed info, and sliding it off revealed an all white “apple” quality cardboard box with silver iFi letters on top. With a cover off, now I was able to see Micro in all its glory, wedged inside of a secure foam cutout. My first impression was “Wow!!!” It looked bigger than I expected and had a shape reminding me of a car amp unit. I also felt a very solid aluminum shell and a noticeable heft as I removed Micro in order to get to the bottom of the box where all the accessories were stored across two partitioned sections. While in many cases I appreciate the actual experience of unboxing the product, here my highlight was reading a detailed Spec list which builds up the anticipation!
As much as I couldn’t wait to get to Micro, I had to set it aside and move on to examine the accessories. First of all there was a detailed manual, very important in this case since Micro is full of surprises you can easily miss. Then, you have 4 clear rubber stick on bumps to use under the iDSD for additional friction and/or to prevent surface from scratches, and also a semi-transparent rubbery pad to use with iDSD when you stacking it with another device (smartphone, tablet, DAP, etc). You also get 1/4” to 3.5mm adapter since iDSD has 1/4” HO. With all aluminum/silver body finish I personally didn’t like the look of a gold adapter sticking out of the socket, so I found a shallow silver one as a replacement (PC-234S model). Also, iFi included a velour drawstring storage/protection pouch and 2 mounting rubber bands to secure transport/source devices to Micro.
Moving on to cables, you will find a dual RCA high quality cable, and I really mean HIGH quality! You also get a short 3.5mm to 3.5mm interconnect cable to use Micro as amplifier from your source. Next is the USB-A to USB-B socket adapter cable and another short adapter to accommodate Micro’s USB-A connector on the back since many audio digital cables are usb-a to usb-b. Also, you get a high quality USB-A socket to USB-A connector cable to attach Micro directly to you computer. And if that wasn’t enough, they also included Toslink to mini 3.5mm optical adapter since Micro’s Coax port is combined with optical input. Only one adapter was included, though I would have preferred a pair in order to transform a common Toslink cable.
This was a very impressive collection of accessories, and I’m not talking about cheap fillers, but the actual high quality cables and other goodies. The only thing I would add is a short OTG adapter cable, typical USB-A socket to micro-USB connector for Android devices, and a camera adapter kit cable for iPhone/iPad devices. Micro supports USB OTG connection and with USB-A connector on the back you can go directly with a short adapter cable to your smartphone or tablet.
I already mentioned that from the first look Micro iDSD design reminded me of a car amp unit. It looks very clean with all aluminum body which probably great for heat dissipation and EMI shielding, and slopped edges along the sides for stacking other iFi units on top of each other. When you visit iFi website, you will find that all of their products have the same universal shape and uniform aluminum look. Weighting a little over 300g and with dimensions of 177mm x 67mm x 28mm, Micro looks a little bulky for a portable use, but next to my Note 4 I quickly realized that it’s only a little bit longer in comparison. You do feel heft of the unit, but it’s manageable. As many have mentioned this already, Micro iDSD is transportable rather than portable.
Starting with a “faceplate”, you will find 1/4” headphone jack all the way to the left, far away from an analogue volume control pot which is on the right. Volume knob also turns the power on/off with a click as you turn it clockwise. Also, there is LED light through a small pinhole on the top of Micro where the LED color indicates different audio formats as well as battery charging status. My only comment here is that I wish the knob would be a little more textured (like a fine diamond cut) to enhance the grip which can get a bit slippery. I really like that headphone jack and volume pot were far apart, unlike in Nano iDSD where they are next to each other causing a bit of an obstruction with headphone cables that use thicker connector housing. In the middle of the faceplate you have 3.5mm audio signal input for a direct amplification of the analog signal (from HO). To the Left/Right of this Input you have 2 high quality toggle switches, XBass for bass extension and 3D for holographic sound expansion – more about their effect in Sound analysis section of the review.
One thing to keep in mind and something which is not obvious until you read iFi detailed manual, the internal battery (a hefty 4800 mAh) allows two modes of power operation. If you turn the power on before connecting to your source, you will be running in Battery Power mode and not draining the power from the source, also important since some smartphones will not allow usb DAC connection if excessive power drain is detected. Otherwise, if you connect Micro to your source (with usb cable) and then turn the power on – you will be running in USB Power mode while also charging the battery. Just keep in mind, the usb charging from laptop is painfully slow. Either way, you have two different options. Furthermore, Micro’s digital input (USB A port) also has a built-in iPurifier Lite which suppresses the noise from USB power line and conditions the data signal.
This brings us to the rear panel of Micro where you will find USB-A connector all the way to the right – the digital data input feeding into the internal DAC. It was a bit strange not to find a more traditional USB-B connector, but the convenience of a straight USB-A allows a direct connection with USB OTG adapter to pair up with a smartphone or a tablet. In a portable setup you want to have as little as possible cable interconnects to keep it clean, and in this case you can just use a very short USB OTG adapter for Android devices or camera kit adapter for Apple devices. With other included cables and adapters you have different options to connect to your computer or to use an adapter so you can switch to your aftermarket high quality digital audio cables.
Next to USB input you have a Line Out which bypasses the internal amplifier and sends the signal from DAC to L/R RCA connectors. That output could be connected to another external amplifier or receiver. This Line Out output is actually configurable where underneath of Micro there is a switch allowing selection between Direct (0dB) or Pre-Amplifier (6dB) modes. Next to Line Out you have SPDIF Coaxial combined with Optical port which works either as Input or Output – this socket is auto-switching. When USB audio signal is connected, this port functions as SPDIF Coaxial Output. Then, when USB audio signal is disconnected, this port functions as SPDIF Coaxial or Optical Input. Due to combined nature of this port, optical Input uses 3.5mm mini-Toslink connection thus a reason why iFi included one Toslink mini adapter plug. Basically, if you want to use your DAP as a transport to feed the digital signal into Micro’s DAC/amp, this is a way to go, and if your source supports Toslink optical signal – it’s the best choice over a coax cable.
Moving along the left side of Micro, you will find USB-A port which is only intended for SmartPower Charging, supporting 5V at 1.5A to charge your smart device. On the other side you will find 3 different slide switches. To make it stand out, the red switch corresponds to PowerMod gain with ECO (2V, 250 mW @16 ohm), Normal (4V, 1W @16 ohm), and Turbo (8V, 4W @16 ohm). That is quite a spread allowing to drive anything from efficient to power hungry headphones. Of course, the gain mode selection will have an effect on the battery life, where it's estimated to get close to 12hrs (in ECO mode) down to 9hrs (in Normal mode) reduced to 6hrs (in Turbo mode). And if that wasn’t enough, underneath of Micro there is another power adjustment called IEMatch for sensitive IEMs with Off (0dB), High Sensitivity (12dB), and Ultra Sensitivity (24dB) attenuation adjustment. I’ve never seen this level of micro-adjustment to accommodate anything and everything under the sun! In addition to that, next to the gain PowerMode switch you will also find Polarity selection switch (for digital signal source), and a Digital filter to switch between Standard, Minimum Phase, and Bit-Perfect modes.
You can definitely see that iFi team put a lot of thought into the design and flexibility of controls where you don’t need any external software and can adjust and change all these modes of operation straight from the unit. Overall, it wasn’t just a high quality material used in the design of the body, but also the selection of toggle and slider switches that felt solid and durable.
Under the hood.
Moving on to the internal design, I discovered that Micro was actually Crowd-Designed when iFi made their original post in March of 2014 on Head-fi, asking for members of this #1 audio community to list what they would like to see in this upcoming flagship DAC/amp. We are used to hearing Crowd-Funded term when companies seek money to turn their ideas into a real product. Here, we are talking about iFi Audio which is a subsidiary of Abbingdon Music Research (AMR) - one of the UK's largest manufacturers of high-end audio systems that cost up to $100k, a successful company that has been in businesses since 2000. Despite all this credibility, they opened the forum discussion to build a list of desired features by asking the Crowd who this Design was intended for. In today's audio market this is very rare, especially among reputable established companies.
Unfortunately I didn't follow their original Crowd-Design thread until now, but it's a truly fascinating read I highly recommend to check out here: http://www.head-fi.org/t/711217/idsd-micro-crowd-designed-and-the-new-firmware-flavours-are-here-page-138. In addition to following everything from "birth" of the ideas, it contains a very well organized index page with links to corresponding posts going over every single design detail. Furthermore, iFi is very active in Head-fi community, and I see constant interaction and replies where this thread continuous to grow with more info.
I'm not going to rehash all the details, and I already covered all the ports and controls in a Design section of my review. One thing to keep in mind, with a selection of Burr Brown dual-core DAC chipset which actually utilizes 2x DAC chips across 4 output channels, you have a Native DSD/PCM support of every available high resolution format. We are talking about up to Octa-DSD speed of DSD512, obviously supporting Quad/Dual/Single DSD256, DSD128, and DSD64, and also double/single speed DXD with 768/705.6kHz and 384/352.8kHz, and PCM from 44.1kHz to 768kHz. I wasn't even able to find DSD512 samples for listening, and thanks to iFi samples included with iPurifier2 on usb stick, was able to play and to verify DSD64/128/256 using Foobar2k playing on my aging laptop. Of course, this is a universal audio interface and every other lossy and lossless audio format will be supported.
A lot of people just assume because Burr Brown DAC is in the picture, it’s a slam dunk when it comes to sound quality. Any DAP or DAC/amp architecture has many variables which all contribute to a final shaping of the sound. I have a few DAPs using PCM1792, yet they all sound different. This was my first experience with an audio gadget utilizing DSD1793, and I’m sure it will sound different from others due to iFi unique tuning of the amp section. Luckily, due to plethora of inputs and output, you can also separate DAC and amp for a better evaluation. But combined together, Micro offers a very addictive smooth analog detailed expanded neutral sound that brings up the best in any type of headphones regardless of their sound signature.
With popularity of the original Nano iDSD, I’m sure many would be interested to know how Micro compares to Nano. Fortunately, I was able to get my hands on Nano as well for review/comparison. To my ears Micro sounds more transparent, more multi-dimensional (even without 3D holographic effect), more dynamic, and with blacker background. Of course this should be expected considering a more advanced design and a different selection of components. But in this case it wasn’t “just a little bit better” but actually noticeably better. At the same time, for a portable convenience at less than half of the price, Nano definitely deserves a serious consideration.
Going back to Micro, you have an option to either use it as DAC/amp or Amp by itself. I found this next test to be very interesting because Micro combination of DAC/amp sounds fantastic, but while testing amp by itself I found the sound to be not as dynamic or layered and lacking some transparency. Don't get me wrong, amp is actually clean and relatively neutral, but the sound was missing the smooth detailed dynamic magic of Burr-Brown chipset. To take full advantage of that, you need to either use digital/USB input or Coax input.
With Coax input you bypass your source's internal DAC/amp and go straight into Micro where you can either use an electrical RCA Coax cable or optical Toslink cable, depending on your source. If your source supports both, like in some DAPs where Coax and Optical (mini toslink) inputs are combined, after a close a/b comparison I consistently hear with optical connection the sound being a little smoother and slightly more refined. I went back'n'forth many times to rule out a placebo effect, and every single time I found that I prefer optical interconnect over coax cable. If your source doesn't have optical output, Coax cable is still a great alternative, but otherwise - go for optical connection.
If you want to use your smartphone as a source, now you have access to a direct USB OTG digital connection. Testing with my Galaxy Note 4, I found no EMI interference, excellent pair up with all of my headphones, dynamic analog smooth detailed sound, and overall no major difference in sound quality compared to Micro pair up with other DAPs through coax/optical, though maybe just a little bit smoother and warmer with Note 4 in comparison to dedicated DAPs.
One advantage of using Micro digital input is that it has a built-in iPurifier Lite. You can't really disable it to note the difference, but I was able to use iFi standalone iPurifier 2 to hear the advantage of its functionality in series with USB port. I ran the test using my Note 4 as a source/transport, and found that Micro (w/built in iPur Lite) vs Micro (w/iPur2 in series) yielded another noticeable change where the background became blacker, leading to a cleaner on/off sound of the notes with a faster transient, especially in instrumental tracks.
The same test using my Note 4 as a source and Nano vs Nano (w/iPur2 in series) yielded a very noticeable change with background becoming blacker and a significant reduction in background noise. It actually improved Nano sound quality making it more dynamic, more transparent; maybe not on a level of Micro performance but definitely with an improvement. The only problem - it adds a bulk to Nano iDSD, making it less portable.
Of course I can't finish sound analysis section without talking about XBass and 3D effects. Activating XBass resulted in what I hear as a narrow and well controlled sub-bass boost that doesn't spill into lower mids and has a very subtle effect on mid-bass. I definitely hear it as a well controlled boost, focusing mostly on sub-bass without affecting too much mid-bass or muddying the mids.
While testing, 3D holographic toggle had a bit of a polarizing effect on me. Enabling 3D seems to affect only upper mids/treble region, acting like an exciter effect, adding some airiness to the sound, and creating a wider/deeper perception of the stage. To my surprise I found this effect to work not as good with every pair of headphones. It works great with warm and neutral signature headphones, but when used with bright headphones - it can make treble harsh and grainy. Example, PM-3 and A2000Z benefited from Micro 3D effect, but ES60, EL-8C and DN2kJ – not as much.
When it comes to my casual headphone listening at home, I found that any USB DAC will do because they all improve the sound of my aging ThinkPad T430s laptop. But it was never as enjoyable until I switched to Micro iDSD and now can't even think about using anything else. Micro's smooth analog detailed sound characteristics just works with any pair of headphones regardless of their sound signature. Micro's design has an amazing flexibility to accommodate any audio setup, portable or desktop. And due to its ability to play everything up to and including Octa-speed DSD512, instead of enjoying my usual selection of EDM tracks, now I'm looking for exotic DSD128, DSD256, and DSD512 classical orchestra performances (typical hi-res recordings). Did I become a fan of Mozart and Chopin music renditions? Not really, but I'm fascinated by being able to play 1.5GB DSD256 audio files from my laptop without skipping a beat or a string.
I'm already anticipating questions after the review asking me how does Micro iDSD compares to another wave of British invasion from Chord, such as Mojo or Hugo. I can't answer that because I never tested any Chord products. That would certainly make an interesting comparison, especially since Mojo is in the same price category. But until then, Micro iDSD will have a solid place at the top of my USB DAC/amp food chain because no other product I've tested in this category comes close to its performance and sound quality. My only wish, and the only critical comment, is for iFi design team to be able to pack performance and sound quality of Micro iDSD into Nano iDSD footprint, turning this transportable into fully portable.
I will say, these are not night and day, transformative enhancements. Good music played on good headphones can sound good straight from a PC or music player. But I'm glad iDSD offers listeners the option to spend $500+ to modestly enhance music played on headphones. (I haven't listened to the micro under other circumstances).
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