mill of the stone women
Frequently bought together
Customers who bought this item also bought
Wolfgang Preiss, Pierre Brice, Dany Carrel. An exhibit of strange female statues in an old windmill turns out to be a bizarre front for a mad scientist who's murdering young girls and using their blood to keep his daughter alive. The statues, needless to say, aren't really what they appear to be. A nightmarish and gruesome film. Need any spare body parts? From 16mm.
When sold by Amazon.com, this product will be manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.
If you are a seller for this product, would you like to suggest updates through seller support?
Top Customer Reviews
Oh special note, the movie has Danny Carrel. She's the half Vietnamese and half French actress who pops in all manner of quirky and often excellent French films throughout the 60s. Mondo knows how to pick em.
With a clunky title like "Mill of the Stone Women," it is scarcely any wonder that the film has remained largely unknown,unremarked upon, and unavailable for nearly 50 years ! What a pity, for here is a story produced with such an aesthetically accomplished loving care that each frame breathes a compositional beauty of the highest standard.
The felicitous combination of Arrigo Equini's art direction and Pier Ludovico Pavoni's photography in this picture, recalls the best of Jack Asher, Floyd Crosby, Mario Bava, Bernard Robinson, and Daniel Haller and has, in not a few of the tableaux rendered here, even surpassed these masters. Even Mario Praz would probably approve!
From the opening shot of the windmill on the lake under a leaden sky, to its shadowy, beautifully appointed interior parlors, complete with the anti-heroine, Scilla Gabel, peaking mournfully through the portieres--while the soundtrack gives forth with a disquieting numinous wail--the film rarely fails to sound the genuine Gothic note.
Add to that one of the most disturbing, (far more so than "House of Wax") use of a waxworks yet seen on the screen. For here we have, not merely figures of unsettling visage, but figures that mechanically encircle a stage--Joan of Arc, Cleopatra, Mary Queen of Scots, sallying threateningly towards the camera in a nightmarish parade--all to the accompaniment of a tune that might have been composed by Truman Capote! There are many exquisite scenes to savor: Miss Scabra's blood red boudoir, a scene of her beneath the lid of a dusty glass coffin holding yellow roses against her very dead, old ivory like complexion, a laboratory sequence that pulls out all the stops, a charming stop at a beer garden type pub, complete with accordions and pretzel stands, a climactic fire with the dummies melting in grotesque close-ups, not to mention a beautifully costumed, very accomplished, and handsome cast of players.
Miss Gabel seems very much in the Gina Lollobrigida mold, but manages facial expressions of such uncanny yearning that is easy to imagine Mr. Brice falling under her spell. In this sense, she joins company with Barbara Steele, as one of the very few women able to combine beauty and eeriness in equal measure.
Pierre Brice approaches his assignment with convincing earnestness and looks very much like a cross between Stephen Boyd and Horst Buchold.
A special compliment should be paid to the Technicolor here, which never shrieks, but delivers cold blues and unearthly reds in a fashion that favorably recalls Pressburger's "Tales of Hoffmann." And take a good look at the hutch in the ante-room of Mr. Brice's bedroom; it is the same one featured in Jacqueline Pierreux's parlor in Bava's "Black Sabbath"--the one she keeps her liquor in. Perhaps Mr. Brice had a yard sale! In any case, to fans of the genre, this film is highly recommended.
Most Recent Customer Reviews
a descendant of 'the house of wax" , with other elements thrown in
including a mad doctor and a ever dying...Read more