I once prayed, Lord, please let Jan Karon live long enough to get Dooley and Lace married. The answer to that prayer was a whelming flood; I started crying on page 32 and sniffed and sobbed my way—punctuated by laughs—to the final page. Redemption, benediction, healing, holy amazement, connection. Reading this brings the satisfaction of resolution, the “two bits” after the “shave and a haircut”.
The focus of Come Rain or Come Shineis on the month before and the day of The Big Knot. Dooley and Lace want a small, intimate ceremony at Meadowgate Farm. Karon enjoys poking fun at the myth of a ‘simple country wedding.’ There are obstacles and annoyances. There are secrets and surprises. There is the unrelenting pressure of diminishing time to get the place wedding-ready.
The main character is Lace Harper. Her journals reveal her heart, her hopes, her fears, her loves. She wants to find a wedding dress for under $100; she is thankful for the callouses which document her hard work. She wants to get it—this whole starting a new family—right. I appreciated the ways Dooley and Lace honor the memory of Sadie Baxter (benefactor) and Russell Jacks (Dooley’s grandpa) in their wedding.
Jan Karon and Wendell Berry are both skilled at portraying a community where giving, helping, and reciprocating are the norm. In their novels they don’t cover up the hurts, the anger, the tensions, the troubles. Weddings can be awkward with family drama. Karon handles the presence of Dooley’s birth mom, Pauline Leeper, in the same room as his siblings with utmost care. There is no easy resolution, no instant reconciliation, just baby steps, tiny beginnings towards the on-ramp to healing.
This book and Somewhere Safe are Karon's two best novels. A fitting benediction on the entire Mitford series. But if she wanted to write another Mitford novel, I'd be eager to read it. Perhaps this is the first of the Meadowgate novels. Please, Lord!