I am a huge William Gibson fun, since my university years. I believe his SPRAWL Trilogy to be a strong English Literature Cannon candidate - and, undoubtedly, the Gospel of Science Fiction of our generation.
His next trilogy, however, (Virtual Light, Idoru & All Tomorrow's Parties) took an abrupt downturn after the first book of the series. I will not go into the reasons I did not find them to work at par with his previous monumental works; after all, this is not their review.
So, I was pleasantly surprised when my loyalty (finally...) paid off! SPOOK COUNTRY is a BEAUTIFUL book!
If one is hoping to find a fast-paced SF techno-thriller or a page-turner gore-fest, well, this is not the book to pick. Try Richard Morgan instead. Even since his more action-conscious Neuromancer, William Gibson had always been a subtle writer; his poetic words painting a stroke here and then a stroke there - until his reductionist prose reveals a magic vista of the human condition no one has put to words before.
Be patient with his books. Short chapters, phrasal fragments, unusual word-hacking and turning brand-names into verbs have always been his functional style. And, boy, does his style function! Long after you will have finished the last page, the imagery will stay with you. Popping up unexpectantly, in the foam of your next Frappuchino; in your car GPS voice; in the site of a spyhopping orca.