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  • Zen Bow, Zen Arrow: The Life and Teachings of Awa Kenzo, the Archery...
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Customer reviews

4.5 out of 5 stars
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171 global ratings
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Zen Bow, Zen Arrow: The Life and Teachings of Awa Kenzo, the Archery Master from Zen in the Art of A rchery

Zen Bow, Zen Arrow: The Life and Teachings of Awa Kenzo, the Archery Master from Zen in the Art of A rchery

byJohn Stevens
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Top positive review

Positive reviews›
Bernie Gourley
4.0 out of 5 starsA mini-bio, a pack of aphorisms, and a couple archery tales in one thin package.
Reviewed in the United States on September 28, 2016
Awa Kenzo is variously known as an archer without compare, a Zen master, or as the teacher of Eugene Herrigel. Herrigel was a German philosopher who wrote a thin book entitled, “Zen in the Art of Archery” that gained a global following. Herrigel’s book was about his time as a student of Kenzo and the insight that he gained into both Zen and Kyūdō—Japanese style archery—through his studies. Kenzo lived from 1880 to 1939, a period during which arts like kyūdō were used more for development of character than as fighting arts, and Kenzo was important figure in this transformation.

Stevens’ book is a thin volume ( < 100 pages) consisting of three parts. The first is a short biography of Awa Kenzo. One shouldn’t expect a thorough treatment, but that may be for the best (i.e. Kenzo’s life is of interest because of his mastery of archery, but probably only his most ardent fans would want to read a 400 page biography on his life.)

The second part is a set of lessons and aphorisms attributed to the master archer. This section includes a few pages by the author to put Kenzo’s brief statements in context. The lessons themselves are sometimes in prose, sometimes in poetry, and occasionally in the form of lists. These lessons offer insight into archery, mindset, and life in general. Archery is portrayed as a lifestyle.

The third section consists of three short (very short) stories in which archery as a means to develop one’s character is at the forefront.

In addition to the three sections, the book includes front matter, annotations, a bibliography, and a few photos.

I enjoyed this book and would recommend it for those seeking insight into the nexus between Zen and the martial arts.
Read more
5 people found this helpful

Top critical review

Critical reviews›
Adam
3.0 out of 5 starsOK...but....
Reviewed in the United States on July 19, 2017
Having read and very much liked some of John Stevens other martial artist's biographies, I was looking forward to this having in the last few years taken up kyudo. However, given that copious amounts of literature and documentation had been written about his previous main subjects (Kano and Ueshiba), I was worried that either this book would suffer from lack of primary sources, and/or if it would fall into the 'Zen and the Art of Archery Part Deaux' cult. Regardless, understanding the controversial nature of Awa-Sensei and Herrigel, I was interested in how Stevens would tackle it.

Unfortunately, he largely doesn't.

The book is small, and extremely short. There are barely 20 pages dedicated to Awa's life. Then, there's roughly 40 pages of Awa aphorisms (valuable too be sure, but...) and then a few stories at the end about archery in general, none of which mention anything about Awa (presumably favorites of his?).

In fact, the most engaging part is in the Notes section at the end where Stevens, w/o any real context, attacks 'small-fry academics' (of which, of course, he must not be one) for their criticisms of Awa. I imagine here he's referring to Shoji Yamada, whom, not to throw stones, headed the 2003 symposium @ the International Research Centre for Japanese Studies on the direction of budo, which included the likes of esteemed scholars Karl Friday, Anton Geesink, Alexander Bennett, and Meik Skoss (and not John Stevens), so, glass houses and all.

In the end, I can't escape the feeling that this book was written for money, and not to add to the subject matter (of which it certainly could have done). It's table-top Zen, with some archery background thrown in.

Ultimately, I'm glad I have it - there is a paucity or literature on kyudo in general - and will certainly ponder some of the aphorisms, but for me it misses the mark entirely, and is lacking the rigor that I came to expect from Stevens.
Read more
15 people found this helpful

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From the United States

Bernie Gourley
4.0 out of 5 stars A mini-bio, a pack of aphorisms, and a couple archery tales in one thin package.
Reviewed in the United States on September 28, 2016
Verified Purchase
Awa Kenzo is variously known as an archer without compare, a Zen master, or as the teacher of Eugene Herrigel. Herrigel was a German philosopher who wrote a thin book entitled, “Zen in the Art of Archery” that gained a global following. Herrigel’s book was about his time as a student of Kenzo and the insight that he gained into both Zen and Kyūdō—Japanese style archery—through his studies. Kenzo lived from 1880 to 1939, a period during which arts like kyūdō were used more for development of character than as fighting arts, and Kenzo was important figure in this transformation.

Stevens’ book is a thin volume ( < 100 pages) consisting of three parts. The first is a short biography of Awa Kenzo. One shouldn’t expect a thorough treatment, but that may be for the best (i.e. Kenzo’s life is of interest because of his mastery of archery, but probably only his most ardent fans would want to read a 400 page biography on his life.)

The second part is a set of lessons and aphorisms attributed to the master archer. This section includes a few pages by the author to put Kenzo’s brief statements in context. The lessons themselves are sometimes in prose, sometimes in poetry, and occasionally in the form of lists. These lessons offer insight into archery, mindset, and life in general. Archery is portrayed as a lifestyle.

The third section consists of three short (very short) stories in which archery as a means to develop one’s character is at the forefront.

In addition to the three sections, the book includes front matter, annotations, a bibliography, and a few photos.

I enjoyed this book and would recommend it for those seeking insight into the nexus between Zen and the martial arts.
5 people found this helpful
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Adam
3.0 out of 5 stars OK...but....
Reviewed in the United States on July 19, 2017
Verified Purchase
Having read and very much liked some of John Stevens other martial artist's biographies, I was looking forward to this having in the last few years taken up kyudo. However, given that copious amounts of literature and documentation had been written about his previous main subjects (Kano and Ueshiba), I was worried that either this book would suffer from lack of primary sources, and/or if it would fall into the 'Zen and the Art of Archery Part Deaux' cult. Regardless, understanding the controversial nature of Awa-Sensei and Herrigel, I was interested in how Stevens would tackle it.

Unfortunately, he largely doesn't.

The book is small, and extremely short. There are barely 20 pages dedicated to Awa's life. Then, there's roughly 40 pages of Awa aphorisms (valuable too be sure, but...) and then a few stories at the end about archery in general, none of which mention anything about Awa (presumably favorites of his?).

In fact, the most engaging part is in the Notes section at the end where Stevens, w/o any real context, attacks 'small-fry academics' (of which, of course, he must not be one) for their criticisms of Awa. I imagine here he's referring to Shoji Yamada, whom, not to throw stones, headed the 2003 symposium @ the International Research Centre for Japanese Studies on the direction of budo, which included the likes of esteemed scholars Karl Friday, Anton Geesink, Alexander Bennett, and Meik Skoss (and not John Stevens), so, glass houses and all.

In the end, I can't escape the feeling that this book was written for money, and not to add to the subject matter (of which it certainly could have done). It's table-top Zen, with some archery background thrown in.

Ultimately, I'm glad I have it - there is a paucity or literature on kyudo in general - and will certainly ponder some of the aphorisms, but for me it misses the mark entirely, and is lacking the rigor that I came to expect from Stevens.
15 people found this helpful
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Timothy T Artis
4.0 out of 5 stars Understanding The Principal of Zen
Reviewed in the United States on July 20, 2020
Verified Purchase
I did not immediately gain the principles or understanding of applying zen as in as I was reading the book. I gain the insight of it as I was reading another book Untying God's Hands by Ernest Angley. I unconsciously gain the knowledge as I was trying to work and help someone else beginning in about myself I I gained the peace and application of Zen by realizing I became the bow and the arrow the tool to use. By seeking it I did not gain it by force as I thought about it less forgetting it , it came to be . Working on something else it found me flowing from me in me creating great peace. What was unconscious became conscious.
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devin vagt
4.0 out of 5 stars great book, but short
Reviewed in the United States on May 1, 2008
Verified Purchase
interesting and informative, but a little short for the money. If you read "zen in the art of archery" by eugene herrigel and didn't hear enough about awa kenzo, this book will give you what you want: it presents a limited biography and then gives some of his ( most important?) sayings and a few pictures of him with his bow. It got 4 out of 5 stars because it cost 12.95 list price plus shipping and is 101 pages long. Still a great read if you are interested in zen archery.
3 people found this helpful
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Steve Savage
5.0 out of 5 stars A wonderful introduction, or re-introduction, to Awa Kenzo's life and philosophy
Reviewed in the United States on February 27, 2007
Verified Purchase
Informative, readable and inspiring account of Kenzo's life as well as an excellent anthology of his actual teachings. I loved John Stevens' way of explaining complex Zen terms in simple English: e.g., kensho - "see your nature" or "look into your nature;" jobutsu - "become Buddha;" and the ultimate Zen experience, satori, which Stevens explains means literally "remove distinctions," and which he, along with many others, translates as "enlightenment." This is great stuff for anyone interested in Japanese language and culture as well as providing a springboard for deeper investigations of Zen, of archery as a form of "practice" and of martial arts in general. Includes detailed notes on sources and an excellent bibliography. Highly recommended.
24 people found this helpful
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Wgtlifter
4.0 out of 5 stars I absolutely enjoyed reading this book mainly to find out more about ...
Reviewed in the United States on March 24, 2016
Verified Purchase
I absolutely enjoyed reading this book mainly to find out more about Awa Kenzo. My fav is: "Zen In The Art of Archery" when it comes to learning about the application of Zen.
2 people found this helpful
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Sergio
4.0 out of 5 stars Four Stars
Reviewed in the United States on April 2, 2018
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William Allred
5.0 out of 5 stars A gift to students and friends
Reviewed in the United States on July 7, 2013
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A copy of this book in the right hands can lead to many personal and meaningful self-discoveries. The archery component of the writing is merely a metaphorical vehicle for delivery of hard-won ancient wisdom. A visit to Pi Mei's mountaintop redoubt, for tea and a beating.
One person found this helpful
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Jon B. Hudson
5.0 out of 5 stars Zen Bow, Zen Arrow
Reviewed in the United States on February 26, 2008
Verified Purchase
a small book but diamonds are small-as is the brief instant of satori. a wonderful history of the great Zen archer Awa Kenzo with a treasure of gems of wisdom from his teachings: statements, aphorisms, koans and haiku.
whether you are seeking thru t'ai chi, target shooting or archery, the wisdom here will guide you in your practice.
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Chuang tzu
5.0 out of 5 stars Very Auspicious
Reviewed in the United States on May 23, 2013
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An amazing and wondrous presentation by Mr. Stevens as well as an excellent collection of some Master Kenzo's writings and quotes. As with a good deal of Zen writings, the depth of possibilities and furtherance in the words far exceed the literal ones.
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