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  • Sony MDR7506 Professional Large Diaphragm Headphone
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Customer reviews

4.7 out of 5 stars
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Sony MDR7506 Professional Large Diaphragm Headphone

Sony MDR7506 Professional Large Diaphragm Headphone

bySony
Style: HeadphonesChange
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Top positive review

Positive reviews›
john pate
5.0 out of 5 starsSony MDR7506 vs. Audio-Technica ATH-M50X
Reviewed in the United States on July 14, 2023
First, let me say I think these (the Sonys) are outstanding, remarkable actually. Now for the rest of my thoughts.

Okay on the AT's... nice, decent, I didn't hear the scooped mids (that "V" shape people are talking about but that would be horrendous to pull down an EQ band, making the shape of a "V"). Scooped mids: Meaning the mids might be attenuated 2-3db, thus having the effect of "boosting" bass and treble, falsely affecting the frequency response. I didn't hear that on the AT's. The reason I chose the Sony's was their *transient response*. Read on..

I was looking for a pair of good headphones for casual listening -- all pre-recorded music. My goals were to find headphones with decent *flat frequency response* and mega-outstanding *transient response.*

What is "transient response?" This is pretty simple.. First, let's think of you -- your human body. Sound waves, from where ever.. music, a band, a train going by, a lightening strike and resultant thunder, enter your ears and strike your ear drums, causing a vibration. This vibration, through the mechanism in your head, is translated into electrical signals your brain interprets as sound.

With headphones, loud speakers, etc., this process simply works in reverse: Electrical signals are converted into sound waves rather than sound waves converted and interpreted by your brain. The headphone's mechanism -- voice coil, magnet, diaphragm or "transducer," or a speaker cone in the case of a loud speaker, receive an electrical signal that vibrates the diaphragm and creates audio -- sound waves that your ears can pick up.

Simple, right? Not that simple. The task of a pair of headphones, in this case, is transmitting those electrical signals accurately. This means there can be no delay, no false vibrations, no lag, nothing that can interfere with the quality of the sound output. If these bad things happen, the sound simply is inaccurate.

Having a flat frequency response is pretty easy. Getting the transducer to vibrate on que with the electrical signal is not. Any hesitation, and you'll hear "muddy" or inaccurate sound. In other words, the transducer needs to react exactly as the electrical signals are telling it to. This basically is, "transient response." It's not easy to achieve. The Sony's, IMO, have it. The others didn't. I tested against my Bose active noise cancelling cans as well. You'll read stuff like this. People will use terms such as, "transparent audio" -- and then there is high bit-rate conversion -- FLAC and VBR -- all of which I've messed with.

During my test I listened to tons of music, all kinds. Back and forth. At first, the Sony's sounded "bright." Because I was hearing things I had not heard before. Then I noticed while listening to a rock band, I could hear the bass guitar in the mix. I couldn't hear it with any of the other phones I had, including the AT's. Then, listening to a classical orchestra, same thing, I could hear someone lightly plucking a bass violin. Then I could hear someone lightly playing a kettle drum. Couldn't hear those with the others.

The Sony's get a bad rap for "lacking bass." Okay. So... a bass guitar IMO *is* bass. This is a huge preference debate. Been going on for decades. This is why your grandparent's pretty cabinet hi-fi console had a "bass" and "treble" control. Preference. A lot of people love exaggerated bass. Okay, just "turn up" the bass control. Easy. Transient response -- the ability to reproduce everything -- isn't easy. And this is why we have very expensive speakers, headphones, audio systems.

My background: I'm not an "audiophile" nor a sound engineer. I played bass in a band. Still have a bass guitar. I've done a lot of live sound mixing. I worked in an FM station for a while. Did lots of stuff there. Back in the "golden age" of analog audio, I sold stuff in a high-end stereo store. I was one of the first in my network to say Grado was better sounding that Shure magnetic phono cartridges. I just did some testing myself -- very carefully, taking plenty of time.

IMO an audiophile who can't discern transient response is an audiophile in name only. Many people can't, at least not at first. So recommendations: If you're going to buy these, and they are the first pair of decent headphones you are buying, before you make any judgements, mess with them a long time, hours, especially if you're coming from using cheaper phones. It's like being a little kid all over again -- you get to hear things you've never heard before. A lot of the "good" reviewers will agree and this seems to be the reputation for these phones -- affordable headphones for professional audio work. As far as the reviewers saying "they lack bass" -- umm, like I said, just turn up the EQ and you'll be gtg :)
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59 people found this helpful

Top critical review

Critical reviews›
Chase
3.0 out of 5 starsTime for another brand.. 3.5/5
Reviewed in the United States on November 22, 2023
Tbh I have loved these headphones to buy them twice. But sadly no more. It’s time for another brand. For the price point i guess you get what you pay for. The sound & fit are great!! But that’s where it stops..

The durability is really bad. Expect the headset cushions (which are very comfortable) to peel off within a year or two. You can get replacements but they aren’t as soft.

The plastic parts of this headset are so cheap! so even if it looks screwed together. If you take them off wrong like i just did they will snap apart! At which point you can try and glue them or duck tape them like i did my 1st pair. But your better off just getting a brand that’s built better.

Added note: The coil cord is long and stretchy which is great for movement. But it’s really annoying because you have to unwind it by dangling the headset. A coil cord was the wrong choice imo
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From the United States

john pate
5.0 out of 5 stars Sony MDR7506 vs. Audio-Technica ATH-M50X
Reviewed in the United States on July 14, 2023
Style: HeadphonesVerified Purchase
First, let me say I think these (the Sonys) are outstanding, remarkable actually. Now for the rest of my thoughts.

Okay on the AT's... nice, decent, I didn't hear the scooped mids (that "V" shape people are talking about but that would be horrendous to pull down an EQ band, making the shape of a "V"). Scooped mids: Meaning the mids might be attenuated 2-3db, thus having the effect of "boosting" bass and treble, falsely affecting the frequency response. I didn't hear that on the AT's. The reason I chose the Sony's was their *transient response*. Read on..

I was looking for a pair of good headphones for casual listening -- all pre-recorded music. My goals were to find headphones with decent *flat frequency response* and mega-outstanding *transient response.*

What is "transient response?" This is pretty simple.. First, let's think of you -- your human body. Sound waves, from where ever.. music, a band, a train going by, a lightening strike and resultant thunder, enter your ears and strike your ear drums, causing a vibration. This vibration, through the mechanism in your head, is translated into electrical signals your brain interprets as sound.

With headphones, loud speakers, etc., this process simply works in reverse: Electrical signals are converted into sound waves rather than sound waves converted and interpreted by your brain. The headphone's mechanism -- voice coil, magnet, diaphragm or "transducer," or a speaker cone in the case of a loud speaker, receive an electrical signal that vibrates the diaphragm and creates audio -- sound waves that your ears can pick up.

Simple, right? Not that simple. The task of a pair of headphones, in this case, is transmitting those electrical signals accurately. This means there can be no delay, no false vibrations, no lag, nothing that can interfere with the quality of the sound output. If these bad things happen, the sound simply is inaccurate.

Having a flat frequency response is pretty easy. Getting the transducer to vibrate on que with the electrical signal is not. Any hesitation, and you'll hear "muddy" or inaccurate sound. In other words, the transducer needs to react exactly as the electrical signals are telling it to. This basically is, "transient response." It's not easy to achieve. The Sony's, IMO, have it. The others didn't. I tested against my Bose active noise cancelling cans as well. You'll read stuff like this. People will use terms such as, "transparent audio" -- and then there is high bit-rate conversion -- FLAC and VBR -- all of which I've messed with.

During my test I listened to tons of music, all kinds. Back and forth. At first, the Sony's sounded "bright." Because I was hearing things I had not heard before. Then I noticed while listening to a rock band, I could hear the bass guitar in the mix. I couldn't hear it with any of the other phones I had, including the AT's. Then, listening to a classical orchestra, same thing, I could hear someone lightly plucking a bass violin. Then I could hear someone lightly playing a kettle drum. Couldn't hear those with the others.

The Sony's get a bad rap for "lacking bass." Okay. So... a bass guitar IMO *is* bass. This is a huge preference debate. Been going on for decades. This is why your grandparent's pretty cabinet hi-fi console had a "bass" and "treble" control. Preference. A lot of people love exaggerated bass. Okay, just "turn up" the bass control. Easy. Transient response -- the ability to reproduce everything -- isn't easy. And this is why we have very expensive speakers, headphones, audio systems.

My background: I'm not an "audiophile" nor a sound engineer. I played bass in a band. Still have a bass guitar. I've done a lot of live sound mixing. I worked in an FM station for a while. Did lots of stuff there. Back in the "golden age" of analog audio, I sold stuff in a high-end stereo store. I was one of the first in my network to say Grado was better sounding that Shure magnetic phono cartridges. I just did some testing myself -- very carefully, taking plenty of time.

IMO an audiophile who can't discern transient response is an audiophile in name only. Many people can't, at least not at first. So recommendations: If you're going to buy these, and they are the first pair of decent headphones you are buying, before you make any judgements, mess with them a long time, hours, especially if you're coming from using cheaper phones. It's like being a little kid all over again -- you get to hear things you've never heard before. A lot of the "good" reviewers will agree and this seems to be the reputation for these phones -- affordable headphones for professional audio work. As far as the reviewers saying "they lack bass" -- umm, like I said, just turn up the EQ and you'll be gtg :)
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BKarno
5.0 out of 5 stars Great Phones and Definitely Different Than the MDR-V6's
Reviewed in the United States on August 9, 2014
Style: HeadphonesVerified Purchase
I've had some Sony MDR-V6's for a lot of years now, and after reading tons of opinions on how they compare to their sibling, these MDR-7506's, I figured I would pick a pair up and do my own comparison. I know this horse has been beaten to death, but it only took a short amount of listening to realize the differences. But, before I get into it too far I just want to say that both models are excellent headphones; and it's amazing that either set can be had for less than $100.

And a WARNING to all buyers. Because these phones have been around forever, and because they are so popular (I think Sony sells more than 35,000 pairs of these a month) there are lots of fakes out there. You can research this on the web, but the safest way to insure you are getting the real deal is to make sure that when you purchase here on Amazon you only buy when it says "Ships from and sold by Amazon.com". It is the easiest way to be sure you're getting the genuine article.

Everybody hears differently, and everyone "listens" differently. We don't all enjoy the same types of music, and similarly, every set of headphones is not necessarily suited for every genre of music. We all own different source components, and most of us have a limit as to what we are willing to spend on our gear. I believe every headphone review should include a brief summary of the reviewer's musical tastes, sources, and gear and should always including references to other sets of cans they own, have auditioned, liked, or disliked. With so many variables affecting peoples like or dislike of any pair of phones it is my goal to help those with similar musical tastes and similar gear to determine whether or not these headphones will be a good investment for them personally.

To that end; I listen to music in practically every genre. I tend to go through different phases, but I enjoy Mozart as much as Metallica, 80's one hit wonders and New Orleans Jazz, Lady Antebellum or Lady Gaga, Eminem to Zedd. Music has so much to offer in all genres that one could spend a lifetime discovering new things they like. I use my computer to play all the usual manner of digital files, and an Onkyo C-7030 CD player to handle disk duty. Both feed into my Nuforce Icon DAC/Headphone Amp. The digital files via USB and the CDs via analog RCA (the Onkyo has excellent onboard D/A conversion). I have also been playing around with a Little Dot MK2 ii Vacuum Tube Amp (which I am really starting to love). It should also be noted that I use no equalizer to modify the sound of my music (because I don't have one available in my setup). My headphones include Sony MDR-V6s and these MDR-7506s, V-Moda Crossfade LPs and M-100s, Audio Technica ATH-M50s, Beyerdynamic DT-880 250ohm Premiums, Sennheiser HD 598s and HD 600s (my personal favorite) as well as my 4th pair of Koss Porta-Pros (easy to exchange when you live in Milwaukee) . I've tried Grado SR 80s and SR 225s (just too darn uncomfortable), some Beyerdynamic DT990 Pro 250ohms (I prefered the DT 880s), and my son even owns a pair of first generation Beats Solo phones (Yuk). The other day I threw away some Denon's (no clue what model, but circa 1990) and a set of Sony MDR-V600s that were both totally worn out. I also own lots of buds as well (my Klipsh X10s being my favorite).

Like I said at the beginning, these headphones sound great. They are by far my favorite set of closed phones. The crossfades are fun (they'll make your teeth chatter), but the sound is very unnatural. The ATH-M50s sound excellent as well, but I prefer the Sony's more natural midrange. I like them with most genre's of music, but I prefer them with classical, jazz, adult contemporary, jazz rock, and other similar genres of music. The 7506's (and V6's) also give the widest soundstage of all my closed cans. When comparing the sound to the V6's I would say this. Both models have some of the most natural sounding mids I have heard in a headphone. The V6s have more bass and noticeably higher highs, where the 7506's are flatter through the audible spectrum. That's pretty much it in a nutshell. It isn't hard to hear the difference, and you can see it as well by going to Headphone dot com's "build a graph" page and comparing the two. The build a graph is an excellent page and when I look at the graphs for the various phones I own it shows exactly what I'm hearing myself. I have heard many reasons for the differences between the two sets of Sonys from wiring to cup shape, and I've read all the references to the parts list that says they have all the same pieces, but all I'll say again is that there is a difference. If you like a flatter sound with less of a "smile curve" then these 7506's are what you're looking for. If you like a bit more bass and treble I'd recommend the V6's (though the highs can cause fatigue after a while). If you are looking for cans to monitor or edit video then the 7506's are the ticket. It's amazing how accurately they can playback the sound I record with my video camera, and it's no surprise that you see these on the heads of people in the movie business when you watch behind the scenes extras on DVD's and Blu-Rays. I have taken the V6's to work and I use them with my little Nuforce uDAC-2 as the two pair together very well, and the 7506's are my go-to phones at home when open cans won't do. The phones are very efficient as well. They play plenty loud without a lot of power, though they sound even better with a nice amp. They are also very revealing. While you will hear lots of details in your music, you will also hear all of the flaws. Music with accentuated highs may also sound shrill and sibilant when using these phones. If you want lots of booming bass you'd be best to look elsewhere. The 7506's have nice low, accurate, detailed bass, but they aren't thumpers by any means (nor are the V6's). If you want some serious thump on a budget watch for the V-Moda Crossfade LP's to go on sale (you will sacrifice detail and clarity, however).

The build quality is excellent and I'm alright with the earpads wearing out and needing replacement from time to time (I'm on at least my 5th set in 2 decades with the V6's). All earcups need to be replaced sooner or later, and if you shop around you can find the Sony replacements for a cheap price. If you opt for some of the velour replacements that are out there you will (or you should) notice a change in the sound (I've tried them with the v6's). It's also important to watch the foam part of the cups that covers the driver. If it starts to break down it will get pushed into the holes in the front of the driver itself and it will ruin it (this is what happened to my V600's). The phones are very light, the comfort is excellent, the clamping pressure is pretty light, and the sound isolation is really good too. I also like the coiled cord and the quick change screw plug. I have never had an issue with my cord on my V6's in almost 20 years and I don't foresee a problem with the 7506's. The carry bag is handy and surprisingly durable as well. I do wish they locked in a little tighter when you opened them as they often seem to want to close back up while trying to put them on. You also have to be careful for the right side wire as it can get pinched in the whole works and possibly become crimped.

You just can't go wrong with The 7506's or the V6's at the price they sell for. You just have to decide which response curve you prefer.
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Aries Laser Designs
5.0 out of 5 stars True To Sound Like People Are Saying, 80s Rock Sounds Like It Used To
Reviewed in the United States on November 21, 2023
Style: HeadphonesVerified Purchase
I immediately compared these to my Sony MDR-V55 (I bought 2 pairs of these before, and now they are double the price of these MDR-7506).

Like people say, the sound is just as loud as the V-55s but it is more crisp and clear. It sounds more loyal to the original music.

I love 80s rock. When I listen to it in these it sounds more like it used to sound, before they started manipulating/experimenting with headphones (like everything).

It's amazing how I got reeled into this change is sound subtlety without even realizing it over the years. These headphones made me understand that.

Makes me think what else have i been led along and influenced by without being conscious of it...
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Hannah Hunt
5.0 out of 5 stars Tried and true, sounds great!
Reviewed in the United States on November 10, 2023
Style: HeadphonesVerified Purchase
Have a really old set of these for my personal computer, and they have really held up over the years. Love they way they sound, why change now? Purchased another set for my work computer. Fit pretty tight, but a bit of bending on the headband and it fits perfect. Listening experience is very detailed, not heavily biased in any one direction, so if you're a bass head, maybe look elsewhere. That being said, D&B sounds fine on these headphones.

Get yourself a headphone amp if you plan to use these. The headphone jack on your laptop/motherboard/phone will certainly play music through the headphones, but you'll be missing out a lot. Even a $40 unit is way better than nothing, it's what I spent on my amp and they sound fantastic!
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Robinette
5.0 out of 5 stars Going strong after 16 years
Reviewed in the United States on November 22, 2023
Style: HeadphonesVerified Purchase
I purchased these from Amazon in 2007 for use primarily to edit voice over audio. They weren't designed to be noise cancelling, but they do a fair job of blocking out background noise anyway.

They have been used and abused in my studio for over a decade and despite having purchased more expensive headphones along the way, I still go back to my MDR7506 cans.

Note that I did have to replace the earpads about 10 years in. The replacements are here on Amazon and are easy peasy to swap out and make the headset like new again.

Also, music sounds fantastic, though again, that's not why I purchased them.
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Phil in Magnolia
5.0 out of 5 stars Superb Headphones and Excellent Value (with comparison to Sony MDR-V6)
Reviewed in the United States on May 22, 2013
Style: HeadphonesVerified Purchase
I purchased these Sony MDR-7506 headphones a couple of months ago. More recently, I've also purchased Sony's very similar (but not identical - see below)  Sony MDR-V6 Monitor Series Headphones . My reason for purchasing a second pair (and getting both models) was because the V6's were very inexpensive at the time I ordered ($30 cheaper than the 7506's), and because I was curious to see if I could tell a difference between the two. In reading many of the reviews here on Amazon and elsewhere, I knew that the two are constructed very similarly but there were different opinions regarding both the differences (if any) and which has the superior sound.

These are both headphones in the $100 and below price category, which seems like a reasonable price to pay for high quality sound. I do not like to listen to music using earbuds, I prefer this style of "over-the-ear" headphone. although it does take some getting used to. I also have very inexpensive 
Koss KSC75 Portable Stereophone Headphones  for occasions when I don't want to use my more expensive Sony's.

I am very satisfied with the sound quality from these headphones (both models), and with the comfort. They are the first "quality" headphones that I have owned, and the level of detail in the sound, lack of distortion, and overall quality is simply superb. I am completely satisfied.

Now, regarding both similarities and differences between the Sony MDR-7506 and Sony MDR-V6, here is what I have found:

- externally, they are almost identical in construction and appearance. The V6 has red stickers on each headphone "for Digital", and the 7506 has blue stickers "Professional". The phono jack for the V6 is silver metal (all metal), for the 7506 is gold (rubber and gold). Those are the only visible differences I am able to detect.
- when I listen to the two headphones back to back, at the same volume level and with the same music, I can detect a slightly clearer treble and midrange from the 7506, and very slightly clearer sound. This is consistent with several of the other reviewers on Amazon for the 7506, who say they can detect a slightly better sound separation and more open sound for the 7506, with the V6's sounding a bit warmer. One reviewer also says that the internal grounding for the two headphones is different - the 7506 uses a separate internal ground for the left and right channels, where the V6 uses a single ground for both channels. (It seems to me that both grounds are going to the same place anyway, but if this is true - and I am not able to confirm whether or not it is - then maybe this contributes to a slightly different sound).
- some reviewers state that the internal speaker drivers are different for the two headphones. However when I went to Sony's website to check the specifications for the two models, that is not what I found. And here is what the Wikipedia page states for these headphones: "both models share the same part number for their driver, but the magnet therein is known to vary. The MDR-7506 was introduced with a samarium-cobalt magnet, as is currently used in the MDR-V6. However, at some point, the MDR-7506 switched to the slightly more powerful neodymium magnet. These changes were made without changing the driver part number."
- The box for the 7506 states "neodimium magnet". The operating instructions included with the V6 state "samarium cobalt magnet". Possibly either or both of these are out of date (as Wiki states, they may make spec changes over time) - the 7506 box is copyright 1994, and the V6 copyright is 1996.
- The 7506 box includes an exploded view and parts list, which is very nice to have. The V6 box does not.
- Both headphones include a soft case for storing/carrying the headphones, and both include an adaptor plug so that the headphone can be used with either a stereo mini-plug or a normal size plug.

UPDATE 7/22/13 and 7/30/13: The Sony MDR-V6 and MDR-7506 headphones have just recently been reviewed by CNET, with similar comments to my own regarding the small differences in sound quality. Both headphones receive a very high recommendation from CNET. See the MDR-7506 review at [...] and the MDR-V6 review at [...]

According to the specifications on Sony's website (which should be up-to-date), the only difference between the two headphones is frequency response:

- MDR-7506:
- Neodymium magnet, 40.0 mm driver, 10-20kHz frequency response, 63 Ohm impedance, 106 dB/W/m sensitivity

- MDR-V6:
- Neodymium magnet, 40.0 mm driver, 5-30kHz frequency response, 63 Ohm impedance, 106 dB/W/m sensitivity

I am not able to explain how Sony is claiming different frequency response for the two headphones if all of the other specs are identical, but this is what they are saying. And I do believe that the two headphones have slightly different sound.

Although there is a slight difference between the 7506 and V6, the sound from both headphones is very neutral. The "professional" choice between the two seems to be the 7506, and it is the more expensive model. If you read other reviews you will find that the 7506's are commonly used by studio engineers, because they are designed to reproduce the sound just as it is, without adding emphasis to the bass as some other headphones are designed to do. At this point, for me they are both excellent, and for thirty bucks less I'd go with the V6 if I could have only one of the two.

I've been using these headphones with the 
Audioengine D1 24-bit digital-to-audio converter , and I am extremely pleased with the quality of the sound.

As a final comment, some owners of these headphones comment that the ear pads wear out over time, and some owners also prefer different ear pads for better comfort. I also purchased a pair of 
Beyerdynamic EDT 250 Velour Padded Earcushions  for this reason, and although I have not yet given them a try to compare them with the ear pads that come with the Sony headphones, I do like the fact that it is possible to fit different ear pads if desired in order to provide more comfort, as well as replace them when they have become worn (some owners use these headphones for many years).

I notice that there are a very large number of reviewers for these headphones, many of them long-time owners who feel very strongly that these Sony headphones are the best. I'm just beginning to use them, but I have high hopes that they will be durable over time and that I will continue to be as satisfied with them as I am today.
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X32
5.0 out of 5 stars Sound great and light enough to use for long periods.
Reviewed in the United States on October 27, 2023
Style: HeadphonesVerified Purchase
This is the second pair of fairly pricey headphones I've purchased this year. The first pair, while sounding better, were too heavy to wear for long periods and the ear cups were too small so they smashed my ears. After wearing that other brand for a while I would have head and ear aches.

These are much lighter and more comfortable. The ear cups are still a little small but better than the other brand. They don't have quite the bass response as the other brand but still better than most other headphones.

I use these at home when editing audio or video, or for most of my recreational comp time such as youtube or games. I take the other pair with me when mixing concerts as I won't wear them for more than a minute or two at time in that environment.

If I were to repurchase one of the two, I would pick these headphones.
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Timothy Verthein
VINE VOICE
5.0 out of 5 stars Count on these in the studio.
Reviewed in the United States on September 4, 2021
Style: HeadphonesVerified Purchase
I have worked in live broadcast radio for just shy of 50 years as I write this. About 20 years ago I also included some recording studio work and music production into my routine. As well as doing voice overs and commercial production with my own company for decades. A large part of every day is spent in headphones.

This includes also the production of thousands of radio commercials and voice overs every year. All this work requires headphones. Now, to be honest, for my daily live show I prefer Sennheiser headphones. There are certain models that play LOUD without distortion, and are made of some type of mysterious flexible plastic that makes them indestructible, and they have easily replaceable plug in cables without the coiled cord. And since when on the air every morning they are put on and taken off about a hundred times, they are perfect mechanically for that.

And I know that this review sounds like a Sennheiser review -- but hold yer pants on. For audio production work - commercial production - voice overs - music mixing and mastering - a different kind of headphone is needed. Excellent full range sound -- clarity in the highs AND lows. And the comfort to leave them on for longer periods when tracking, mixing, and doing critical listening. I have found these Sony headphones to be excellent for this work. I have produced thousands upon thousands of radio commercials and music tracks and productions in these 'phones. Oh, yeah, you can spend more - a lot more - and get a different sound -- and really, when you get right down to it, headphones depend a lot on personal taste, your own hearing abilities, comfort, and most importantly what YOU get used to - that YOU can use as your own personal reference when it comes to doing sound as your job, or sound for your own enjoyment. These are very good at meeting the needs for thousands of music producers and radio and studio people.

Be aware that some will review and say "I didn't like these headphones -- not enough bass" for example. That just might be because your source - your music - your amp - your system - isn't giving you the amount of bass you like. The idea isn't to buy headphones that will color the sound to what you like, but to give you an honest representation of the audio. This is why music sources have tone and equalizer controls on them.

I *can* tell you that I know for a fact that I personally know major players in the voice over business -- people whose voice you hear on movie trailers in the theaters and on thousands of major national and world wide radio and television commercials, and endless network television promos, who are using these headphones in the studio and there's a reason for that. That main reason is that they give you a reliable indication of what your final product is going to sound like, and they're comfortable and reliable.

They also keep outside noise from getting into your ears. They seal you in good and isolate you from stray noise and distractions. Which also makes them great for critical work, but less handy in an on air situation when you might at least want to hear someone yelling at you in the room lol.

The only drawbacks I can share are, they are crummy for portable/traveling situations. They're somewhat awkward to put on and off (hence the Sennheisers on the air) and the foldable feature might be nice when you want to put them in the case (optional) and toss them in an equipment bag or suitcase for an away gig but I can't imagine using these in a more portable use.

Oh, and when you need to replace the ear pads (and you will) here's a tip -- the OEM Sony pads are relatively expensive. There are pads for Beyer Dynamic headphones that fit perfectly, and equally comfortable, and much less expensive.

There are a ton of headphones out there. Some people prefer Beats, for example, which give you a very exaggerated bass response -- fine if you like hearing more bass than intended, but horrible if you want to know what your voice or music mix actually sounds like. You often see popular singers in the studio in their videos wearing some sort of gaudy headphones -- that look like they're wearing huge pink coconut halves on the side of their heads -- nice visual effect but I can assure you the cats mixing the music aren't wearing those.

You can count on these Sony's for getting the job done. And you can count on them for comfortable and enjoyable music listening too. They're not just for studio work.
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Paul Pace
5.0 out of 5 stars Sound great if you are looking for a flat frequency response.
Reviewed in the United States on November 7, 2023
Style: HeadphonesVerified Purchase
The first pair I purchased in 1993 lasted until 2020, so I decided to buy them again.

This second pair seems slightly less sensitive, even if the ratings state they are the same. They have a very flat response and for those of us not big on EQing everything, that's fantastic.

Build quality has mostly been the same, the exception being the ear pads. It seemed like the first pair ear pads lasted over a decade, but this one I had to replace after only three years. Probably better off just getting replacement pads along with the headset.
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Brad
4.0 out of 5 stars Ugly but effective
Reviewed in the United States on January 21, 2023
Style: HeadphonesVerified Purchase
Let me start by stating that I do not claim to be an audiophile, I am not a sound engineer or even a musician. I am just a guy looking for a comfortable pair of closed-can headphones for recording my amateur podcast that will ideally be versatile enough that I don't need multiple pairs for different activities.

Honestly, I was reluctant to order these because I personally think they look ugly, and while they're highly rated, there are enough reviews about the ear pads peeling or flaking after a short amount of time that I am worried about the build quality. This was further emphasized when I pulled it out of the box to find this very minimally packaged headset. The ear pad material definitely feels thin and cheap to where it's not hard to believe that they may peel or flake after a year of use. They do sell replacement ear pads ranging from $14-$28 online. The positive is that this minimally put-together headset means that they are the lightest studio headphones I've ever used, and this lightness I believe plays a huge role in their comfort.

The band is a stitched leather material that could potentially be real, with a light amount of padding, over an obvious metal bar. It is one of the wider bands I've used, combined with its lightness, means that it's gentle on the top of the head. The clamping pressure was noticeable but calmed after a bit of use, however, this band is reminiscent of one of those slap wrist bracelets, as it kind of wants to coil itself up. The band extends far enough to wear them with most hats at its max extension.

The cups have the right amount of pad cushion to fit comfortably over your ears. As mentioned earlier, they do seem incredibly cheap and I have concerns that they will need to be replaced regularly.

The cans do flip and the band folds, resulting in a reasonably small footprint for travel or storage.

The coiled cable is hardwired into the can, continuing the trend of cheap engineering, but the coating feels thick and it feels durable enough, considering you cannot replace it if it is damaged (the most common thing to be damaged on headphones). The cable isn't short, especially if you consider the extension from the relatively loose coil, but it's not the longest either. My tower is on my desk, and I could plug it into the back without a problem, but it would hinder my movement, and if it was under my desk, I do not believe it would be long enough. Thankfully, I plug mine into a DROP 02 AMP + GRACE SDAC that sits under my monitor.

What these headphones lack in aesthetics, packaging, and potential quality, they really make up for in sound. I put these side-by-side headphones that cost twice as much, and these still came out clearer. I tested them in virtual meetings while listening to multiple genres of music, an audiobook, editing my podcast, and gaming. Not only do these create a clear realistic auditory experience while listening to people talk, the lightly elevated lows create enough bass to be enjoyable while listening to music. They are even louder out of the box than any other pair of headphones I currently own or have tested them against. I find they are perfectly acceptable outside of the box, but for testing purposes, I did EQ them to oratory1990's settings in EqualizerAPO + PEACE.

In the end, I'm not sure you can find a better quality sounding closed-can headset at this price point. They truly are incredible when tested against other models in and above their price range. Not only do they sound great, but they are also some of the most comfortable headphones I have used. My only concern is the build quality, which is a bit of a shame because while I love to find these low-price gems that outshine more expensive competitors, I really would have paid twice as much for a matching quality build... but who knows, maybe they'll continue to surprise me there too. And if they do, I will return to this review to give them the full 5 stars they deserve.

Headsets the MDR-7506 defeated: beyerdynamic DT 770 PRO, AKG K371, Sennheiser HD 280 PRO, RODE NTH-100, Fostex T40RP mk3.
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