in a 2009 article Bob Ludwig stated "People talk about downloads hurting record sales, I and some other people would submit that another thing that is hurting record sales these days is the fact that they are so compressed that the ear just gets tired of it. When you're through listening to a whole album of this highly compressed music, your ear is fatigued. You may have enjoyed the music but you don't really feel like going back and listening to it again. It's been really rough, folks, But it can get better and I think it will get better. I'm glad it's going to be over."
This is the same guy who's remastered this version of 'Nevermind' 2 years later to the very same loudness war standard he has criticised and seemed to suggest was reversing.
All the dynamic range on this classic album is gone. Which means there's no punch to the music, every song stays the same volume throughout so when a chorus kicks in it doesn't get louder than the verse and lift the song.
From what i've read over the years, Kurt loved using the quiet verse LOUD chorus technique, so for a band that was obviously about dynamics it's baffling that this remaster even made it onto a commercially available CD/download. A whole new generation of Nirvana fans are going to be robbed of the way this album should really sound as mastered dynamically in 1991 by Howie Weinberg.
UMG don't care, they just want your money, but that's ok, you don't have to give it to them, no matter how big a Nirvana fan you are, you can download the extra content for free 'illegally' after all they're offering you an inferior 'new' product when your original copy of Nevermind sounds perfect -- you just have to use that thing known as a volume knob or volume buttons.
"All the kids will eat it up, if it's packaged properly".