This film has something that most flicks today can only dream of: class. It doesn't spoon-feed the plot to you, and it doesn't have useless dialogue crammed into every nook and cranny. Those who say this film drags should stick to children's cartoons. There is so much happening beneath the surface. Some just tune out the gaps in dialogue, and that's a real tragedy, because that's when the most happens, and the film really shines. Pitt, Hopkins, and Forlani are tremendous. Pitt's combination of power and innocence is flawless. This film is the most sophisticated to come out in a while, and the fact that the critics don't like it doesn't phase me one bit, nor does it surprise me. Meet Joe Black is a breath of fresh air: a truly elegant film.
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