40 of 46 people found the following review helpful
Predetermination and its Inherent Flaws,
This review is from: 200 km/h In The Wrong Lane [Enhanced CD] (Audio CD)
Likened by many critics to the boybands that have constantly cluttered our airwaves for what seems like centuries, these dual Russian pop sensations seemed to have been met with mixed reviews and harmed in some ways by their sexuality ploy to push their way in the door. Not immune to this, I have to say that I, too, was a little distraught to hear that someone else was defaming the already unsalvageable realm dubbed the music industry with yet another marketing ploy. Yes, when I first heard of t.A.T.u. and the ploy used to sell their albums, I found myself invariably skeptical of what content their album could hold. Still, I opted to listen to their Russian release first, and I noticed something that the press seemed to have left out; that the rudimentary elements of a band that seemed like they could be entertaining actually existed within that premanufacture publicity ploy. Accordingly, I went out to purchase 200 Km/H in the wrong Lane and have been entertained by it ever since.
Although the sound is definitely crafted from the mainstream intersections that pop feeds from, the album still had a few gems hidden inside it that I actually found myself enjoying. From the frantic beats and hasty lyrics of "Not Gonna Get Us" I found something to entertain my temponic cravings, then I found myself and my lack of radio station ingestation paying off as the ballad-with-a-beat "All The Things She Said" kicked in, and the album went from there. Personally I found Clowns one of the more meritable tracks listed, because their "floating forests in the air" analogies in the lyrics seem beautiful for some reason.
This isn't to say that everything about the album is perfect, mind you, nor is this review saying that I agree with the way the tracks were arranged. There are a few portions here and there that reflect opposing polarities on the listening spectrum, taking a person to heights only to throw them abruptly to the sorrowful ground, and this annoyed me a bit. Still, the rest of the album more than made up for it.
If you haven't heard the album or its tracks yet, simply listen to a sample provided and determine if you like that or not. If you do and you agree with those voices, then you'll find yourself in agreeance that this is, perhaps, and overlooked work because its marketing ploy overshadows the quality of the two singers involved.